Catching Up on 2024 Films [Part 1 of 2]

Even though this blog has been quiet for most of 2024, that doesn’t mean I haven’t been watching 2024 horror films during my absence. I've been mainly posting quick reviews on my Instagram Stories and Letterboxd throughout the year. So I figured I might as well post those thoughts here before the year is over.

I plan on posting future short reviews for movies monthly [unless I feel the film deserves a longer review] on the blog going forward..

LOVE LIES BLEEDING (2024)

Directed by: Rose Glass 

Starring: Kristen Stewart, Katy O’Brian, Ed Harris, Dave Franco, Jena Malone 

Score: 3 Howls Outta 4 (8 out of 10)

Plot: Reclusive gym manager Lou falls hard for Jackie, an ambitious bodybuilder headed through town to Las Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family.

Review: While flawed, LOVE LIES BLEEDING is a fun time. Very good direction by Rose Glass, solid performances [Kristen Stewart, Katy O'Brian and Ed Harris are especially great] and has weird moments that make you wonder where the story is headed. If you enjoy crime-thrillers with a tinge of strange supernatural aspects that come out of nowhere, this might be up your alley. One of the better films of 2024 so far.

IMAGINARY (2024)

Directed by: Jeff Wadlow

Starring: DeWanda Wise, Taegen Burns, Pyper Braun, Betty Buckley, Tom Payne

Score: 1.5 Howls Outta 4 (4 out of 10)

Plot: When Jessica moves back into her childhood home with her family, her youngest stepdaughter Alice develops an eerie attachment to a stuffed bear named Chauncey she finds in the basement. Alice starts playing games with Chauncey that begin playful and become increasingly sinister. As Alice’s behavior becomes more and more concerning, Jessica intervenes only to realize Chauncey is much more than the stuffed toy bear she believed him to be.

Review: Probably one of the more forgettable horror films of 2024, IMAGINARY [another Blumhouse production that has disappointed me this year] is a waste of potential and probably a waste of one’s time. Despite a title that promises more inventive things, IMAGINARY has to be one of the most generic, lackluster and non-scary PG horror films I’ve seen all year. It has no shame in showing its influences on its sleeve, taking elements from better movies such as CHILD’S PLAY, THE SHINING and HELLRAISER II, making you wish you were spending time rewatching those films instead. DeWanda Wise is a very good actress and deserves better material than this, as I’m surprised that her back wasn’t in pain carrying this movie all by herself. I felt so badly for Betty Buckley in this as well, as the script just embarrasses her during the final act. Not much imagination in this one.

IMMACULATE (2024)

Directed by: Michael Mohan

Starring: Sydney Sweeney, Alvaro Morte, Simona Tabasco, Benedetta Porcaroli, Giorgio Colangeli

Score: 3 Howls Outta 4 (8 out of 10)

Plot: An American nun embarks on a new journey when she joins a remote convent in the Italian countryside. However, her warm welcome quickly turns into a living nightmare when she discovers her new home harbors a sinister secret and unspeakable horrors.

Review: When I watched trailers for this and considering I had just watched Sydney Sweeney in MADAME WEB, I wasn’t expecting much out of this movie. But lo and behold, the first of many horror films this year tackling religion that ended up being a gnarly Nunspoloitation flick! In 2024 on the big screen, mind you! Sweeney isn’t the best actress, but she does some quality work here as a young nun who quickly becomes involved in the evil schemes of the convent she’s staying at. Mohan’s imagery is also pretty striking and memorable, with some memorable horror moments I wasn’t expecting in the film’s second half. The ending, in particular, is one of my favorite endings of 2024. I’m sure it’s still being debated about, considering our current social climate over childbirth. Definitely one of my favorite horror films of 2024 and worth a look if you’re a fan of Sydney Sweeney playing against type. 

ARCADIAN (2024)

Directed by: Benjamin Brewer

Starring: Nicolas Cage, Jaeden Martell, Maxwell Jenkins, Sadie Soverall 

Score: 2.5 Howls Outta 4 (6 out of 10)

Plot: In the near future, on a decimated Earth, Paul and his twin sons face terror at night when ferocious creatures awaken. When Paul is nearly killed, the boys come up with a plan for survival, using everything their father taught them to keep him alive.

Review: A pretty okay dystopian flick that’s a mix of A QUIET PLACE, CHILDREN OF MEN and PITCH BLACK. While Nicolas Cage is top billing, he’s hardly in the movie as much as one would think, focusing more on the younger cast and how their characters deal with their bleak reality. While the younger actors do carry the story and emotional beats well enough, ARCADIAN could have used more Cage to really sell the absurdity of the entire situation. The creature designs are interesting enough to look at, even if they don’t always look great. But considering the low budget, I was still pretty impressed. And Benjamin Brewer does provide some tense moments through his visuals. Worth checking out on Shudder if you have time to spare.

ABIGAIL (2024)

Directed by: Matt Bettinelli-Olpin, Tyler Gillett 

Starring: Melissa Barrera, Dan Stevens, Alisha Weir, William Catlett, Kathryn Newton, Kevin Durand, Angus Cloud, Giancarlo Esposito, Matthew Goode

Score: 3 Howls Outta 4 (8 out of 10)

Plot: A group of criminals kidnap a teenage ballet dancer, the daughter of a notorious gang leader, in order to obtain a ransom of $50 million, but over time, they discover that she is not just an ordinary girl. After the kidnappers begin to diminish, one by one, they discover, to their increasing horror, that they are locked inside with no normal little girl. 

Review: Radio Silence direct a really fun vampire flick that won’t reinvent the wheel. But with a super solid cast [especially Melissa Barrera, Dan Stevens and a dynamic Alisha Weir as the title character], cool gore, nice special effects, and some tense and really funny moments, ABIGAIL is one of the better horror films of 2024. I wish this had done better at the box office to show those SCREAM producers what they messed up, but this will definitely be a cult hit for years to come.

TAROT (2024)

Directed By: Spenser Cohen, Anna Halberg

Starring: Harriet Slater, Adain Bradley, Avantika, Jacob Batalon, Humberly Gonzalez, Wolfgang Novogratz, Larsen Thompson, Olwen Fouere

Score: 1.5 Howls Outta 4 (4 out of 10)

Plot: When a group of friends recklessly violate the sacred rule of Tarot readings, they unknowingly unleash an unspeakable evil trapped within the cursed cards. One by one, they come face to face with fate and end up in a race against death.

Review: I drew the Fool card in my last Tarot reading, which would explain why I watched this soulless, cliched, generic, not-scary horror movie. TAROT does have some visually stylish moments and the actors aren’t terrible, as they’re doing what they can with an awful and boring script. A good horror flick is not in the cards with this one.

THE STRANGERS: CHAPTER 1 (2024)

Directed By: Renny Harlin

Starring: Madelaine Petsch, Froy Gutierrez, Gabriel Basso, Emma Horvath, Richard Brake

Score: 0.5 Howls Outta 4 (2 out of 10)

Plot: After their car breaks down in an eerie small town, a young couple are forced to spend the night in a remote cabin. Panic ensues as they are terrorized by three masked strangers who strike with no mercy and seemingly no motives.

Review: I really hope someone tells these killers that Tamara is home so we can end this series. THE STRANGERS: CHAPTER 1 gave me nothing. Nada. Zilch. The victims are stupid and have no agency. The killers aren’t scary or threatening in the slightest. There’s a lack of tension that was present in the previous films. If it wasn’t for the okay acting and decent looking picture, this installment would be a total dud. At least MADAME WEB made me laugh at how awful it was. This movie just made me angry, to the point where I wanted to walk out of the theater.

Can’t you tell I’m excited for CHAPTER 2??

THE WATCHERS (2024)

Directed By: Ishana Night Shyamalan

Starring: Dakota Fanning, Georgina Campbell, Olwen Fouere, Oliver Finnegan, Alistair Brammer, John Lynch

Score: 2 Howls Outta 4 (5 out of 10)

Plot: A young artist gets stranded in an extensive, immaculate forest in western Ireland, where, after finding shelter, she becomes trapped alongside three strangers, stalked by mysterious creatures each night. 

Review: Ishana Night Shyamalan’s feature film debut is a mixed bag. Shyamalan’s visuals and presentation are the best things about THE WATCHERS, as it has atmosphere and some decent tension at times. The movie looks really nice too. The actors [in particular Dakota Fanning, Georgina Campbell and Olwen Fouere] do fine with what they’re given. Unfortunately, the narrative starts off interesting and just deflates through too much exposition and predictable twists I figured out right away. Still, I’m willing to see Shyamalan direct another film that has a better script attached.

MAXXXINE (2024)

Directed By: Ti West

Starring: Mia Goth, Elizabeth Debicki, Moses Sumney, Michelle Monaghan, Bobby Cannavale, Halsey, Lily Collins, Giancarlo Esposito, Kevin Bacon, Simon Prast

Score: 3 Howls Outta 4 (7 out of 10)

Plot: In 1980s Hollywood, adult film star and aspiring actress Maxine Minx finally gets her big break. But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.

Review: MAXXXINE is the weakest of Ti West's X trilogy, but it's still a good time. Mia Goth is great as usual [with Kevin Bacon and Giancarlo Esposito behind her]. Loved the 80s aesthetic and soundtrack. Strong Brian de Palma vibes here. Too bad that final act is sloppy and silly as hell. Also, the mystery didn't work for me [figured it out pretty much right away]. Curious to see what Ti West does next though.

Scream VI (2023)

DIRECTED BY

Matt Bettinelli-Olpin

Tyler Gillett

STARRING

Melissa Barrera - Sam Carpenter

Jasmin Savoy Brown - Mindy Meeks-Martin

Jenna Ortega - Tara Carpenter

Mason Gooding - Chad Meeks-Martin

Jack Champion - Ethan Landry

Liana Liberato - Quinn Bailey

Dermot Mulroney - Wayne Bailey

Hayden Panettiere - Kirby Reed

Courteney Cox - Gale Weathers

Devyn Nekoda - Anika Kayoko

Josh Segarra - Danny Brackett

Genre: Horror/Thriller/Mystery/Slasher

Running Time: 123 Minutes

PLOT

Following the latest Ghostface killings, the four survivors leave Woodsboro behind and start a fresh chapter in New York City.

REVIEW

Despite an eleven-year absence from movie theaters and a lack of Wes Craven [due to his unfortunate passing in 2015], 2022’s SCREAM proved to be a bigger success than expected. Doing much better than 2011’s SCREAM 4, the box office gross surprised analysts and proved that Paramount picked up a franchise that was ready to be revived again. Using the idea of re-quels and featuring the main legacy characters of the series to help push new stories along for a newer cast, most audiences enjoyed the return to Woodsboro and wanted more.

As soon as SCREAM (2022) made a quick profit, Paramount wasted no time in greenlighting the next installment. There was a lot of hype for this one for many reasons. One, the characters were leaving Woodsboro for New York City, taking the series into a major metropolitan for the first time in the franchise. Two, there were talks of Ghostface being a much scarier and more violent villain in the big city, upping some stakes. And three, not only would Courteney Cox return as Gale Weathers, but Hayden Panettiere would make her awaited return as Kirby Reed - a character long thought dead but revealed to be very much alive in an Easter Egg in SCREAM (2022).

However, the buzz turned from excitement to worry. Due to a disagreement over pay, series’ star Neve Campbell would be bowing out of this installment. Feeling she wasn’t being paid what she was worth [and I have to agree with her kinda], she refused to take part in the sequel. I’m not sure if Sydney Prescott had a big role or Kirby was her replacement, but it became a test to see if the SCREAM franchise could survive without Sydney.

Luckily in my opinion, I think the lack of Sydney actually benefits SCREAM VI since I think it’s the best installment since, at least, SCREAM 2. Hell, I think I put it above even that sequel, as this movie was just a blast from beginning to end. While I love the series, I’m not a big fanboy like many of my friends are. How I am with the HALLOWEEN franchise [those KILLS and ENDS debates, how fun were those] is how many are with SCREAM and this installment has been no stranger to a divide amongst fans. Personally, this was the first SCREAM film I had a lot of fun with watching since the first movie back in 1996 and would definitely watch this again whenever I get the chance.

I think what made SCREAM VI a fun experience were better written characters I can finally have an attachment to. Let’s be serious here - besides the original group from the first film, did we really care about a lot of these characters? Sure, some snuck in to win our hearts for a bit before getting killed off by Ghostface. But none I really cared about, including most of the new group from the last film. I think only Tara and Mindy were the ones I really connected with, while the others were just there for me. Even Samantha, who has a great backstory being Billy Loomis’ daughter and her struggle with that, didn’t do a whole lot for me because of how she was presented. Maybe it’s because the film wanted to focus a bit on the legacy characters that Samantha didn’t really get to do her thing until the very end of SCREAM (2022). I liked the new group of characters enough, but not to the point where I was concerned if they survived or not.

That changes in SCREAM VI. Without the shadow of Sydney, and even Dewey, the “Core Four” that survived SCREAM (2022) are allowed to breathe and flesh out into characters we can finally care about. Samantha is much more interesting this time around. Not only is she struggling with the trauma of the previous film’s events, but she’s fighting the instinct of becoming her father’s daughter, slowly gaining this thirst for violence and murder. She’s also smothering her sister Tara, who is dealing with her own massive trauma by partying and lashing out at those around her. Tara also manages to flesh out Chad, as they both have feelings for each other, having grown closer since SCREAM (2022). Chad has grown a lot, as he’s the Big Brother and Enforcer of the Core Four and does his best to protect his girls. And Mindy is still awesome, leaning more into Randy Meeks territory while also afraid of being attacked by Ghostface again and doing everything she can to get away from anyone she considers a suspect.

The other characters aren’t as interesting, but some come close. The best one is probably Danny, who is Samantha’s neighbor and boyfriend. He seems like a decent guy, but you’re never really sure in these films. And the return of both Gale and Kirby are pretty great. Gale is dealing with her trauma of losing Dewey by resorting to her old journalistic ways - writing books on the pain of others to make a buck. And Kirby is now an FBI Agent, but seems to be hiding things from the others for some reason. Hmm…

And Ghostface - man, this is the most terrifying portrayal ever. This version of the horror villain does not play at all. Even though Ghostface has a main target, he or she or they have no qualms hurting and murdering people in the way of their goal. Guns or knives - it doesn’t matter how long as the job is done. It was nice having an intimidating Ghostface for once.

SCREAM VI is also a movie where I didn’t figure out the mystery completely. I won’t say how many killers this film has, but I didn’t solve the whole puzzle - which was refreshing. I didn’t see the motive coming either, which I thought was a nice connective tissue to the previous movies. I usually figure out all the killers in these SCREAM movies, so having one where I didn’t see the whole picture was actually fun.

The script isn’t perfect though. There are plot holes all over this film, which I didn’t really think about while watching it. But reflecting back on the movie, yeah, it does things that shouldn’t make sense honestly. The final act feels very rushed and clumsy at times, even though it’s still a blast to watch it all go down. And yeah, people get hurt really badly in this movie. But they can get stabbed a thousand times in vital spots on the body, yet still make it out alive for the next film. I get the writers are attached to these characters and are scared to kill some of them off, but there should have been a higher body count by the sixth movie. I mean, this takes place in New York City! How did Woodsboro get a higher kill count?

The direction by Matt Bettinelli-Olpin and Tyler Gillett is very good. While I wish the NYC location was used more than it was, the subway sequence and certain moments inside apartments, where neighbors can see what’s going on, were used very effectively. In fact, the tension was raised big time in SCREAM VI, as a lot of the chase sequences were suspenseful as hell and gave me a bit of anxiety at times. The bodega scene, a sequence involving a ladder between two apartment windows, Gale’s confrontation with Ghostface and the train sequence all had moments where I couldn’t look away because I was so tense. While not overly scary, SCREAM VI is the first film in a while where I felt the filmmakers were trying to unsettle the audience. I also liked the cool twist on the usual opening sequence and just the level of blocking during many of the scenes to create a thrilling experience. For a two-hour movie, SCREAM VI felt much shorter because I was given feelings I hadn’t felt during a SCREAM movie in a long time.

The cast is wonderful as well. The “Core Four” actors are a lot better and more comfortable this time around. Jenna Ortega continues her streak as horror’s “It Girl” with a layered performance as Tara, while Jasmin Savoy Brown still brings the comedy and geekiness as Mindy. Mason Gooding gets more to do as Chad, making his character more likable than in the last film. Melissa Barrera, however, feels like a different actress here than she did in 2022’s SCREAM. Maybe it’s more character development and screen time, or just feeling more comfortable in the role. But I really enjoyed Barrera here and she proved worthy of carrying this franchise as the series’ lead for as long as they’ll have her.

The rest of the cast is solid. I enjoyed Josh Segarra as Sam’s new love interest, Danny. Hayden Panettiere makes a welcome return as Kirby. Panettiere plays the role a bit differently this time around, which I won’t spoil how, but it’s nice seeing her here. Courteney Cox also had some great moments as Gail Weathers, especially since she was able to stand on her own without Neve Campbell or David Arquette taking away some of the spotlight.

THE FINAL HOWL

Who knew SCREAM VI would be my favorite installment of this slasher franchise in a very long time? Despite the much talked about absence of Neve Campbell, the film actually seems all the better without her presence included. Underdeveloped characters from 2022’s SCREAM actually get arcs that flesh them out in ways that we actually like and root for them. The New York City locale could have been used a bit more, but it’s a great change of scenery from your standard suburban Woodsboro. We have a Ghostface character who takes no prisoners, managing to be brutal and unrelenting to the point where you actually fear him or her (or them). And for a two-hour movie, it felt shorter than some of the other installments. Radio Silence did a great job directing this movie, actually bringing tons of tension and suspense to the point where I actually feared for some of these characters. And the younger cast feel more confident and actually get things to do, especially Melissa Barrera who actually gets to play a lead character that I wouldn’t mind being the center of this newer trilogy. I also thought the returns of Courteney Cox and Hayden Panettiere were fun additions. Despite some plot holes and an annoying tendency to play it too safe with protecting characters - a more brutal Ghostface should have had a higher body count - I think SCREAM VI is the best installment since the first one. Or at least, it’s on par with SCREAM 2, which this film clearly pays a great homage to. Since this movie made a lot of money, we’re clearly getting another one. Hopefully SCREAM VII continues the upward momentum and takes more risks.

SCORE

3.5 Howls Outta 4

(9 out of 10)

Scream (2022)

DIRECTED BY

Matt Bettinelli-Olpin

Tyler Gillett

STARRING

Melissa Barrera - Samantha Carpenter

Jenna Ortega - Tara Carpenter

David Arquette - Dewey Riley

Neve Campbell - Sidney Prescott

Courteney Cox - Gale Weathers

Mason Gooding - Chad Meeks-Martin

Mikey Madison - Amber Freeman

Dylan Minnette - Wes Hicks

Jack Quaid - Richie Kirsch

Marley Shelton - Judy Hicks

Jasmin Savoy Brown - Mindy Meeks-Martin

Kyle Gallner - Vince Schneider

Roger L. Jackson - Voice of Ghostface

Genre - Horror/Mystery/Slasher 

Running Time - 114 Minutes

PLOT

Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past.

REVIEW

It’s hard to believe it’s been a bit over 25 years since the original SCREAM, the slasher film by Wes Craven and Kevin Williamson that brought back the horror genre back into prominence in 1996. Not only did it inspire countless slasher wannabes that emulated what SCREAM brought to the table, but its own wannabe sequels that varied in quality despite the same principal people in charge to comment on what was going on in the horror genre at the time. 2011’s SCREAM 4, a film I actually like and prefer over the third film, was polarizing to say the least and didn’t light the world on fire. Then Wes Craven would unfortunately pass away years later, despite plans for two more SCREAM films under his direction. Despite a television show that was hit-or-miss, it seemed the franchise would rest alongside its beloved director. 

Then it was surprisingly announced that SCREAM (2022) would return to theaters in the form of a sequel rather than a true remake, despite Craven having passed away and Williamson not having much involvement besides a producer’s credit. I was pretty disinterested about the project until I learned that Matt Bettinelli-Olpin and Tyler Gillett of Radio Silence would direct. Having enjoyed their 2019 horror film READY OR NOT, I became intrigued as to what they would bring to the table. Getting the remaining survivors of the franchise [Neve Campbell, Courteney Cox and David Arquette] to return also had me more interested in this movie. If HALLOWEEN could get its footing back somewhat, then there was hope for SCREAM (2022) right?

Considering we’re still in the midst of a pandemic [yeah, that’s unfortunately still a thing], I was debating whether to see this in a theater or wait until some streaming service picked it up after the theatrical 45-day window had lapsed. But considering I had watched the other SCREAM films theatrically, I was willing to safely risk it to see the return of Ghostface and Woodsboro. Luckily, I went to a showing that was socially distanced due to not a huge crowd. But that also deprived me of that horror theatrical experience I wanted to have. Still, I had a fun time with SCREAM (2022), giving me hope that this franchise can survive without its legacy characters.

POSITIVES

• As with every other SCREAM film, the story is very meta and acknowledges it without shame. Similar to SCREAM 4, the commentary here is about the new kind of remakes called “requels” - which are remakes that also act as sequels to some point in a franchise’s continuity to create an alternate universe. Referencing other “requels” like 2015’s STAR WARS: THE FORCE AWAKENS and 2018’s HALLOWEEN, the characters believe that Ghostface is recreating events from the first film [or in this case, the film-within-a-film STAB] because the franchise went off the rails by the fifth film and the killer wants to bring the Woodsboro murders back to the status it had in the late-90s and early-00s. Because of this, the killer is targeting people connected to the original story so these legacy characters can return for a proper ending to the franchise. 

The commentary works well here because the film never really discusses it to the point where it distracts from the story being told in the film. The film just shows the commentary by having many scenes reference the original film, especially in the opening scene and the film’s final act. The newer characters even act somewhat like some of the original characters in the first film, establishing them for a newer generation and potentially more sequels that wouldn’t require the original actors having to appear to legitimize the movie. It might feel a bit deja-vu for some, but the film cleverly changes things up a bit and makes them feel fresh to separate itself from what came before it.

• Also with the commentary, there is also an underlying idea of how toxic fandom has changed not only the horror genre, but altered the opinions and storytelling for other major franchises. Public forums and social media have done a lot of positive things for our society. But some people have taken their love for certain things to a point of obsession and bullying, making storytellers defensive about their art by either lashing out at their fanbase, or just changing their stories back to the status quo in order to appease the hardcore fans. Even certain characters in the film consider the STAB series as not worthwhile since they’re not “elevated horror” like films such as THE BABABOOK, THE WITCH or even HEREDITARY. Not only does that motivate Ghostface to bring back the horror of the old school slasher, but it also makes some of the victims kind of forget how to act in a slasher film since their tastes are above that now. The film could have really taken a side when it comes to toxic fandom, but SCREAM (2022) never does. It doesn’t really put down this portion of the community and just uses it as a motive for our killer. I thought that was actually smart since we all know people who take their love for these kinds of films beyond the point they really need to.

• 
  
  I thought the actors were pretty good in the movie. Of the newer cast, both Melissa Barrera and Jenna Ortega stood out as Sam and Tara Carpenter respectively. The two actresses had nice sister chemistry and both had their own individual emotional beats to play throughout the film. In particular, Barrera had more pressure since there’s a twist to her character that gives her a bit more to play around with - something that could really extend to future installments and take it into interesting directions if done right. Dylan Minnette is also good as Wes Hicks, the son of Judy Hicks from SCREAM 4. And Mason Gooding and Jasmin Savoy Brown had some highlights as siblings Chad and Mindy - the film nerds of the group. Brown, in particular, is super charismatic and had some great moments. She’s a star. And Jack Quaid is just awesome as Richie. He had the funniest moments and he knocked each one out of the park.

As for the legacy actors, they all do well with what they’re given. Neve Campbell can play Sidney in her sleep. Courteney Cox gets to do more emotional stuff as Gale. And Marley Shelton seems more confident as Judy Hicks. But of the four that do return, it’s David Arquette who steals the show as Dewey. Arquette plays the role in a more subtle manner, being more grizzled and traumatized by the previous events and wanting no part of the murders until he realizes he can save lives by returning. It’s a more serious and focused Dewey that we’ve seen and I thought Arquette sold it perfectly. In fact, I thought the writing worked because it was more serious and it gave more depth and dimension to the legacy actors who had to sell how serious these murders were instead of treating it as some meta joke like in previous sequels. This helped elevate Ghostface [still voiced by an incredible Roger L. Jackson, in probably his most sinister performance] into more of a threat, which I greatly appreciated. 

• The direction by Matt Bettinelli-Olpin and Tyler Gillett would have made Wes Craven proud. It’s a confident, well-paced and smart horror sequel that does enough to bring the SCREAM feeling back after a decade while managing to do new things that make it stand out from the other films in the series. The film has this somewhat muted look that I actually liked, since the film is a bit darker in tone. The kill scenes were pretty brutal for once, as this version of Ghostface was not messing around and wanted people to die. I mean, there’s nothing really graphic but the way Ghostface just stabs people reminded me of Rob Zombie’s Michael Myers at times. I also loved how the two directors would play with horror tropes to create suspense and tension, despite how common this type of direction has been for decades. They play with expectations to mess with the audience and I actually laughed when it would keep happening within one scene as some sort of game with the viewers. Radio Silence did a really nice job bringing life back to the series and I’m glad they’re interested in doing more SCREAM movies because I’d like to see where they would take the franchise.

NEGATIVES

• 
  
  I felt the tone was off at times. SCREAM (2022) is mostly a more serious film than the previous movies. But since the movie is known for its quirky humor, I felt like the filmmakers had to add moments of comedy in spots to make it match the rest of the franchise. I’m not saying the jokes or funny dialogue was terrible. In fact, I laughed at a lot of them. But considering it felt like a serious SCREAM film for once, maybe since the first film, the comedy felt out of place at times. I mean, I’m glad there was some levity but the flow could have been slightly better.

• As much as I enjoyed the cast, I thought a lot of the newer squad got the shaft in terms of development and even screentime. I forgot certain characters existed in this story because I hadn’t seen them in so long. One character, in particular, felt like they were missing for half the movie. It’s unfortunate because I found them kind of interesting and wanted to see what more they could offer. Even the legacy characters felt somewhat unnecessary until the film’s final act. It’s obvious fans wanted these actors and characters back, so the deals were made. But besides maybe Dewey, the rest of them could have skipped out and let the newer characters lead the franchise into the future. I mean, I’m happy to see the survivors return for one more round, but they weren’t really the focus, unlike what the marketing wants you to believe. But HALLOWEEN (2018) grabbed viewers because Jamie Lee Curtis returned. STAR WARS: THE FORCE AWAKENS brought back Harrison Ford, Carrie Fisher and Mark Hamill to great success. For the commentary to work, you couldn’t do a new SCREAM without Campbell, Cox and Arquette.

• I felt like of all the SCREAM films, this was the easiest mystery to solve in terms of who Ghostface was. Maybe it’s because I’ve watched too many slashers, mysteries and gialli, but once the suspect(s) appeared, I pretty much said that they were the culprit. And when the reveal was made, I felt both satisfied and disappointed how easy it was to figure it out. I’m not saying it isn’t a fun ride getting to the reveal, but I was expecting to be swerved somewhat considering the whole “requel” deal. At least the motives were interesting and worked within the context of the story.

THE FINAL HOWL

I’m surprised how well SCREAM (2022) turned out, considering it’s been eleven years since the last installment and the first film without the direct involvement of either Wes Craven or Kevin Williamson. Despite a predictable mystery reveal of Ghostface [at least for me], lack of scares, and possibly having too large a cast that doesn’t allow certain actors and their characters to get enough development to really care about them, SCREAM (2022) is still a fun ride and a worthy sequel. Radio Silence’s Matt Bettinelli-Olpin and Tyler Gillett direct a confident movie, playing with horror conventions in an amusing way, while making Ghostface feel like a genuine threat for once with his suspenseful stalking and brutality on many of the characters. The actors all do well, in particular Melissa Barrera and Jenna Ortega as our new leads with great supporting roles from Jack Quaid, Jasmin Savoy Brown and especially David Arquette in his best turn as Dewey since the first movie. And I enjoyed the clever use of its social commentary on Hollywood relying on the reboot/sequel [known as the “requel”] to make money, which the film shows rather than tells, recreating many memorable moments of the first film but twisting them around to create something new. Wes Craven would be proud of this one, since SCREAM (2022) is a better film than both SCREAM 3 and SCREAM 4 at least, potentially taking the series into an interesting direction if handled correctly.

SCORE

3 Howls Outta 4

(8 out of 10)