Showing posts with label 60s. Show all posts
Showing posts with label 60s. Show all posts

10.23.2023

Howls of the Week (10/15/23 - 10/21/23)


This will probably be a new feature, similar to the old monthly LUNAR CYCLE I used to do. I figured I would just post quick thoughts on films I've recently seen, while giving bigger/solo spotlights to more popular/important films. Let's see how this goes.


BARON BRAKULA (1967)

Directed By: José Díaz Morales

Starring: Santo, Fernando Oses, Mercedes Carreno, Antonio de Hud, Susana Robles

Genre: Horror/Action/Vampires

Running Time: 77 Minutes

Score: 2 Howls Outta 4 (6 out of 10)


Plot: Santo goes up against the vampire Baron Brakola, who has returned to seek vengeance on the descendants of the Knight in the Silver Mask (Santo’s colonial era ancestor).


Review: Santo sure loves fighting vampires, as BARON BRAKOLA is another installment of our favorite Lucha Libre star battling the undead. I actually liked this a bit more than SANTO VS. THE VAMPIRE WOMEN, only because there seemed to be higher production values and an interesting narrative that went back-and-forth between the past and present. I enjoyed the swashbuckling aspect of the past scenes with The Knight In the Silver Mask getting one up on Brakola, causing the vampire to go after Santo [Silver Mask’s descendant] and the female descendant of a past enemy in the present day, which have more action/wrestling scenes of its time. The cheap effects, including a frame cut disappearing act and a rubber bat scratching windows, add a nice charm as well. Brakola is really goofy looking as well, which brings some unintentional comedy. Nothing groundbreaking or a must-see, but Santo fans will eat this up for the film’s short and breezy runtime.



DAUGHTERS OF DARKNESS (1971)

Directed By: Harry Kümel

Starring: Delphine Seyrig, John Karlen, Danielle Quimet, Andrea Rau

Genre: Horror/Thriller/Drama/Vampires

Running Time: 100 Minutes

Score: 3 Howls Outta 4 (8 out of 10)


Plot: A newlywed couple are passing through a vacation resort. Their paths cross with a mysterious, strikingly beautiful countess and her aide. 


Review: Any film that starts out with a sex scene is going to instantly grab your attention. Harry Kumel’s DAUGHTERS OF DARKNESS is no exception, playing less like a standard vampire film and more like an arthouse psychological thriller that just implies the undead manipulating the situations happening throughout the film. Delphine Seyrig is hypnotizing as Countess Bathory, giving a seductive and classy performance that hides her menace and bloodthirsty intentions. John Karlen as Stefan is also very good as a man who is repressed in many aspects of his life, causing him to be physically and sexually abusive as he gets off on the idea of death. Danielle Ouimet is stunning, but is kind of one-note as Valerie, while Andrea Rau is striking in her presence as Bathory’s familiar, Ilona. The Belgian scenery adds an exotic flair, while Kumel’s use of primary colors throughout [especially the reds and blues] are striking. What could have been a sexploitation type of "Dracula” movie ends up being more interesting and captivating than that, making DAUGHTERS OF DARKNESS one to seek out if you like sex and drama in your vampire movies. This film is definitely a vibe.



DAUGHTER OF DRACULA (1972)

Directed By: Jesus "Jess" Franco

Starring: Carmen Yalzade, Anne Libert, Alberto Dalbes, Howard Vernon, Daniel White, Jesus Franco

Genre: Horror/Mystery/Vampires

Running Time: 82 Minutes

Score: 1.5 Howls Outta 4 (4 out of 10)


Plot: Luisa is called to the bed of her dying mother Edith at Karlstein Castle. Before she dies, she tells Luisa that the Karlsteins are a family of vampires and that her ancestor, the original Count Karlstein, lies buried in the crypt. Afterwards, Luisa goes and finds the count’s coffin and discovers that he is undead. As she takes Karine, her cousin as her lover, a police inspector, Ptuschko investigates a series of killings around the town, dismissing the locals who insist these are being caused by vampires.


Review: Anyone who is expecting VAMPYROS LESBOS is going to be severely disappointed, as Jess Franco’s DAUGHTER OF DRACULA is pretty much a confusing snore for much of its runtime. Despite the beautiful women, the sex that occurs between them, and a weird vampire Count who just lays in his coffin and never bothers getting out of it, the film doesn’t really have much more to offer. It wants to be a vampire film, while also trying to be a giallo, as well as going for a sexploitation incest angle between two female cousins lusting for each other - this movie never knows what it wants to be. Great Jess Franco zoom shots though, if you’re into that sort of thing. And the final few minutes are pretty cool, but it’s a chore getting there. Unless you need to see every Jess Franco movie, I wouldn’t rush out to watch this anytime soon.



SANTO IN THE TREASURE OF DRACULA (1969)

Directed By: René Cardona 

Starring: Santo, Aldo Monti, Noelia Noel, Roberto G. Rivera, Carlos Agosti, Alberto Rojas

Genre: Horror/Action/Science Fiction/Fantasy/Adventure/Thriller/Vampires

Running Time: 81 Minutes

Score: 2.5 Howls Outta 4 (6 out of 10)


Plot: A woman travels to her past life with the help of Santo’s past life regression machine.


Review: What an odd Santo feature this is. So apparently Santo creates a time machine, in which he sends a female colleague back in time to live the life of an ancestor who Dracula was infatuated with. Not only that, but there’s a goon squad in the present day - led by someone in an executioner’s hood who hates guns - who wants to use the time machine to steal treasure, or something like that. The best part about this film is that this executioner guy and Santo agree on who gets to use the time machine through a wrestling match [but of course]. And then Dracula manages to enter the present day to cause trouble. Typical Santo goofiness but with a pretty chill performance by Dracula actor Aldo Monti, who would appear as other characters in later Santo features. Pretty dumb in an amusing way.



THE VENGEANCE OF THE VAMPIRE WOMEN (1970)

Directed By: Federico Curiel

Starring: Santo, Norma Lazareno, Gina Romand, Victor Junco, Aldo Monti

Genre: Horror/Action/Vampires

Running Time: 85 Minutes

Score: 1.5 Howls Outta 4 (4 out of 10)


Plot: The vampire women of Mexico have awakened to take their revenge on the descendant of the man who destroyed them shortly after they had emigrated to Mexico during the 19th century.


Review: Probably one of my least favorite Santo films I’ve watched this month, THE VENGEANCE OF THE VAMPIRE WOMEN doesn’t really live up to its wonderful title unfortunately. While there are still wrestling scenes and Santo grappling with goons to stop the evil threat that has come upon him and his friends, nothing else is really all that interesting and it feels a bit “same-old, same-old” by this point. Gina Romand is stunning as the evil Countess Mayra, with many close ups of her eyes attempting to mind control men to do her bidding. I just wish the film was more exciting, but it’s kind of slow and meanders towards the finish line. There’s also a mad scientist subplot that doesn’t help either, moving the vampire women angle to a secondary one. I think this could have been a fun Santo flick, but all I see is wasted potential. 


FEMALE VAMPIRE (1973)

Directed By: Jesus "Jess" Franco

Starring: Lina Romay, Jack Taylor, Alice Arno, Monica Swinn, Jesus Franco, Anna Watican

Genre: Horror/Vampires

Running Time: 105 Minutes

Score: 3 Howls Outta 4 (7 out of 10)


Plot: A mute noblewoman’s vampiric heritage compels her to drain the life force from all of her lovers. 


Review: This Jess Franco film was very interesting in several ways. One, it’s more of a softcore adult movie rather than a horror film. If you ever wanted to see both female and male nudity, as well as pretty close to hardcore sex scenes, FEMALE VAMPIRE is definitely for you. Two, it doesn’t have much of a plot, but I thought Franco projected the themes of loneliness quite well. There’s a great sequence in which Irina [played by the beautiful Lina Romay] writhes on a bed against a wooden bedpost. It not only showcases how lonely she is, but it’s also quite clever since impaling herself on a wooden post for pleasure would just end up killing her probably. And three, is this the only vampire movie where people can die because of great oral sex? That’s quite a gift and a curse. I also liked the idea of a man believing he’s Irina’s soulmate, bringing down her walls and giving her hope she could overcome her vampire curse [which unfortunately doesn’t end well]. I think the film gets repetitive at times but it’s worth a look if you’re a Jess Franco fan. I do think this is one of his better works.



DEAFULA (1975)

Directed By: Peter Wolf

Starring: Peter Wolf, James Randall, Lee Darel, Dudley Hemstreet, Katherine Wilson

Genre: Horror/Vampires

Running Time: 95 Minutes

Score: 1.5 Howls Outta 4 (4 out of 10)


Plot: A theology student finds himself turning into a vampire and hunting other students for their blood.


 
Review: Considering all the different adaptations and perspectives on the immortal Bram Stoker novel, I shouldn’t have been surprised by a Dracula movie where all the actors are reciting their lines through American Sign Language. I think that’s a pretty cool novelty and an interesting way to see how deaf people interpret the Dracula story.

Unfortunately, this Peter Wolf directorial and starring feature wouldn’t be worth mentioning if it wasn’t for the ASL aspect. I don’t mind the really low budget or the amateur takes on filmmaking here. But I watched the dubbed version, which probably didn’t help, making you realize how important scene transitions are when it comes to line reading and dialogue. There are moments where I felt Tommy Wiseau took inspiration for THE ROOM because the way characters spoke to each other was really weird. The flashback scenes weren’t edited in a pleasing way. Also, why did Dracula need a huge prosthetic nose? That was very distracting. But I did admire the twist on the vampire story and the use of religion in the final act. But overall, this didn’t do much for me and I would probably never watch this again. But I respect and I’m glad that it exists because even the hearing impaired deserve their own vampire story. So that gets points from me.





4.17.2017

Midnight Confessions Ep. 114: "April Blood Showers Part 1"


We're dedicating all of April to blood splattered cinema and where better to start than with the Father of Gore: Herschell Gordon Lewis. This episode we take a look at BLOOD FEAST (1963), TWO THOUSAND MANIACS! (1964) and THE WIZARD OF GORE (1970). Plus music by: Slayer, Misfits, Johnny Cash, Rigor Mortis and Agent Orange.




 




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3.31.2017

Midnight Confessions Ep. 112 & 113: "It's the end of Around the World and we feel fine"


Our Around the World series comes to an end with CRUMBS (2015/Ethiopia), THE UGLY SWANS (2006/Russia), PLANET OF THE VAMPIRES (1965/Italy) and TURBO KID (2015/Canada). Plus music by R.E.M., Men Without Hats, White Zombie, Judas Priest and GWAR.




 




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9.06.2015

The Midnight Confessions Movie Show #9: It's Alive! (1968)





Join Rev. Phantom, Moronic Mark and myself as we talk over IT'S ALIVE! This is not the more famous Larry Cohen movie about a monster baby. No, this one features less monster babies and more sexy Grandma’s with irritable bowel syndrome. It also has a murderous pig man, a rubber suited monster that doubles as a racist stereotype of WW2 Japanese people, a flashback that goes on forever…and ever….and ever….and ever….and ever….and ever…


What IMDb says it's about: In this sci-fi film a loony farmer finds a prehistoric monster hiding in a cavern on his land. To feed his newest critter, the farmer kidnaps three people. The three desperately try to escape and finally, one of them succeeds….one of them succeeds at telling the longest flashback in the history of film as well.





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7.12.2015

The Midnight Confessions Movie Show #6: Night Fright (1967)





Welcome to episode No. 6 of Midnight Confessions Movie Show. Join Rev. Phantom, Moronic Mark and myself as we talk over one of the worst movies of all time, NIGHT FRIGHT. [Not to be confused with FRIGHT NIGHT, that really good vampire flick from the 80's]. This movie has it all: hair helmets, parking, driving, middle-aged teenagers, a framed cock, three-point turns, waiting, more driving, more parking, a bald-headed gorilla doing the Humpty Hump, people with orange skin, people with red skin, white people trying to dance, French Stewart, more driving, more waiting, even more waiting and well...that’s about it.


IMDb says this film is about:
A government space experiment into the effects of cosmic rays on animal life goes horribly wrong, creating a mutant monster that terrorizes a rural community [...by doing the Humpty Dance].




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6.14.2015

Midnight Confessions Ep. 63: "Mario Bava: The Birth of the Slasher"





In honor of our upcoming Summer Slashfest, this week Rev. Phantom and Moronic Mark take a look at two Mario Bava films; BLOOD AND BLACK LACE (1964) and A BAY OF BLOOD (1971). It's a bloody good time.











 


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4.03.2015

Midnight Confessions Ep. 54: "Around the World in 8 Reviews Part 1"





This week starts our 2nd annual Around the World series. For today's episode, we visit Argentina and find out about THE CURIOUS DR. HUMPP (1969) and then we head to New Zealand and get a lesson in BAD TASTE (1987) from Peter Jackson. Plus we take a look at the other films of Mr. Jackson as well. So buckle up because the bah-st'ds 'ave laynded!








 


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1.23.2015

Midnight Confessions Ep. 45: "Wild West Winter Part 1"


This week the MC Crew review 2 bloody, bleak and depressing westerns, THE GREAT SILENCE (1968) and CUT-THROATS NINE (1972). Plus we countdown the Top 5 Westerns from 1964 to present day. Yippie ki yay, motherfuckers.











 


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11.19.2014

Midnight Confessions Ep. 39: "MST3k Part 1: The Joel Years"


This week Rev. Phantom, Moronic Mark and I take a look at Mystery Science Theater 3000 and review 3 episodes: POD PEOPLE, THE BEATNIKS and ATTACK OF THE (THE) EYE CREATURES. Plus we countdown the first half of our Top 10 'So Bad They're Good' movies (#5 -1 will be featured on episode 40).











 


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