A savvy and free-spirited surfer is abducted by a shark-obsessed serial killer. Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below.
REVIEW
Many, many years ago, I would host an annual “Animal Summer” on this blog - highlighting some films that focused on animals doing some dastardly things. Besides October, it was probably my favorite part of the year for reviews because I’m such a sucker for animals-run-amok movies. But I’ve gotten away from it for a long while now, as I seem to only sporadically be reviewing things these days. But 2025’s DANGEROUS ANIMALS makes me want to reconsider, because this movie was more fun and sinister than I was expecting.
Jai Courtney [in probably what may be my favorite role of his] plays an Australian shark tour guide who, due to childhood trauma from surviving a shark attack, lures tourists in the middle of the ocean to murder them and feed them to sharks while videotaping the entire thing. One night, he kidnaps a young surfer [a game Hassie Harrison] who he plans on videotaping her murder. But she proves to be his biggest challenge yet, since she’s more predator than prey. While DANGEROUS ANIMALS may be marketed as somewhat of a shark movie, the title really refers to Courtney’s Tucker and Harrison’s Zephyr - two people who may be playing the predator and prey roles respectively, but are truly a match for one another in ways that they’re just as much sharks as the animals swimming in the ocean.
Courtney steals every scene as the film’s dynamic and sinister villain. While good-looking and charming, the actor gives off right away that something is quite not right with Tucker. And the film wastes no time showing what a psycho he is, killing people on his boat and then putting a harness on certain victims to lower them with the sharks to see them get chewed up while he records it all on a camcorder. Tucker even watches the murders during breakfast, admiring his work as if he was Steven Spielberg. Courtney also has a memorable dance scene that I’m sure will be GIF’d to death.
Harrison holds her own against Courtney, playing a strong-willed young woman who refuses to be a victim. While a standoffish and kind of emotionally cold character, Harrison still manages to make Zephyr likable due to her intuition and willingness to do anything to survive. The moment Zephyr realizes she’s in a death trap, she does anything and everything she can to figure out her escape. Harrison gives Zephyr a lot of strength and manages to be as large of a personality as Courtney’s Tucker, despite the size difference. The two actors play perfect foils for one another.
I also liked the romance angle, as it actually enhanced the tension in the film. Zephyr’s one-night-stand [a charming Josh Heuston] is the only character who realizes she’s missing and uses detective skills to figure out her whereabouts before it’s too late. The discovery leads to a thrilling third act, which makes you root for the protagonists more than you probably already had.
DANGEROUS ANIMALS is directed by Sean Byrne, the man responsible for two awesome movies - 2009’s THE LOVED ONES and 2015’s THE DEVIL’S CANDY. Byrne shoots a beautiful film that’s dark, even if the cinematography is bright and colorful. Every frame, every character interaction, every chess move Tucker and Zephyr make against each other - they all matter and you’re rewarded at the end for how it all comes together. The sharks look great and the gore is pretty gnarly when it does occur. I appreciated the serious tone [for the most part], as a lot of modern shark films come across as silly or unrealistic. Byrne seems to have a lot of respect for these beautiful creatures and I appreciated it.
All in all, DANGEROUS ANIMALS is one of my favorite horror films of 2025 at the moment. It’s a simple, yet engaging thriller that focuses on the true crime aspect of the human cat-and-mouse game of survival, with sharks used as a plot device and murder weapon of choice. Hassie Harrison makes for a great Final Girl, while Jai Courtney is at his best here as a charming, yet demented villain that will probably gain some sort of cult status.
Since I don’t have as much time to write longer reviews than I used to, I figured I would just post shorter reviews for horror/cult films that I feel deserve your attention.
PLOT:In postwar Japan, a new terror rises. Will the devastated people be able to survive… let alone fight back?
REVIEW:
GODZILLA MINUS ONE may be the surprise film of 2023 for me. I had never planned to watch this new installment of Toho’s iconic monster in theaters, but friends kept mentioning it and decided to watch it on opening night on a whim. While I expected awesome monster action and cities getting destroyed by a giant lizard, I didn’t expect an actual human story that not only is emotional, but made me forget that I was watching a GODZILLA movie at times.
The entire cast, especially Ryunosuke Kamiki as former kamikaze pilot Koichi, is incredible in MINUS ONE. Kamiki, in particular, juggles a lot of emotional beats as a soldier who struggles with deserting his country at the end of World War II. Things get worse when Godzilla shows up and murders a bunch of mechanics on an island Koichi lands on, guilt building when he had a chance to save them all but is too scared to confront the monster face-to-face. We watch Kamiki play Koichi as a man struggling with PTSD - distancing himself from a woman he meets [who also has a child she’s taking care of due to the death of the child’s parents during the war] and feeling like a ghost in a devastated post-war Japan. When Godzilla shows back up and sees the damage the creature causes in front of him multiple times, he knows he has to confront his literal monster even if he has to off himself to do it.
The story is so well-written, well-paced and gives so many character arcs to multiple characters that we actually care about their encounters with Godzilla, hoping they find a way to stop the monster. Godzilla, playing a role closer to his original incarnation from 1954, is a complete villain here, destroying everything in its path and coming across as entirely unstoppable. This is a Godzilla who doesn’t care who or what it is destroying, as long as he gets to unleash its devastation as many times as possible.
Director Takashi Yamazaki takes a $15 million budget and makes MINUS ONE look better than most Hollywood blockbusters have looked in the last few years. And these films have budgets that are ten to fifteen times as much as MINUS ONE. Yamazaki lets the human story simmer and plays it all seriously, letting things build up towards the film’s exciting final act while twists and turns happen when you least expect it. The action sequences are thrilling and look phenomenal for the film’s budget. Godzilla, in particular, looks awesome - especially when he’s building up that atomic heat ray that destroys whatever is in its path. The pacing is so damn good and I loved the homage to JAWS anytime Godzilla swam underneath ships that were searching for it. The use of the original GODZILLA theme also made me giddy and was used at appropriate times. I hear Yamazaki wants to direct a STAR WARS film and I would be down to see what he does with that property with a much larger budget.
Seriously, GODZILLA MINUS ONE is not only one of the best installments in this multi-decade franchise, but it may just be the best installment of them all. It clicks in every way and checks every box that I would ever want in a GODZILLA film. I’m super happy word-of-mouth on social media has helped the film continue its success in America because this movie deserves it. One of the best films of 2023.
Directed By:Rhys Frake-Waterfield
Starring:Craig David Dowsett, Chris Cordell, Amber Doig-Thorne, Nikolai Leon, Maria Taylor, Natasha Rose Mills, Danielle Ronald
Genre: Horror/Slasher
Running Time:84 Minutes
Score:0.5 Howls Outta 4 (2 out of 10)
PLOT:Christopher Robin is headed off to college and he has abandoned his old friends, Pooh and Piglet, which then leads to the duo embracing their inner monsters.
REVIEW:
So apparently while Disney owns the rights to the Winnie the Pooh characters when it comes to their own franchise within the studio, the original Winnie-the-Pooh book from 1926 had its rights go to public domain for the first time in decades. This allowed filmmaker Rhys Frake-Waterfield the opportunity to write, direct, produce and edit a slasher film called WINNIE-THE-POOH: BLOOD & HONEY, starring these classic characters to the surprise and anger of many. And I totally understand the fan reaction to this because I’m surprised I watched this in one entire sitting and I’m angry I wasted 80 minutes of my life giving this a shot.
I mean, the concept for this movie is actually quite good. Christopher Robin befriends the Winnie-the-Pooh characters throughout his young life, leading to the characters to be emotionally attached to their human friend. But once he grows old enough for college and decides to leave them for a higher education and pursue his adult life without them, the characters grow bitter and resentful enough to want revenge on Robin and other humans who enter 100 Acre Woods. That sounds like a cool horror movie!
Too bad this only works for the first ten minutes of the movie, leaving 74 minutes of Pooh and Piglet stalking bland and annoying female characters who do the most dumb things I’ve seen characters do in a horror film in a very long time. It almost borders on misogynistic, as Pooh and Piglet have no issues targeting young women for slaughter but aren’t as brutal on the male characters that show up. It doesn’t help that these female characters are way too ignorant or lack any common sense for any audience to care about them in any sort of meaningful way other than to watch classic characters eliminate them. I mean, sure you can talk to hostages for five straight minutes in Pooh’s lair. It would be smarter to free them and have them explain things once you’re safe enough from danger, but what do I know right?
Other than a cool idea, an amusing pre-credits sequence and decent gore sequences, WINNIE-THE-POOH: BLOOD & HONEY has nothing else to offer. The direction isn’t all that impressive. The acting is not good. The costumes look alright I guess, but doesn’t save the film from being terrible. I’m sure some will laugh at how stupid and bad this film is [especially if you’re under the influence of certain substances]. But I think most will just be frustrated by the end of this film, wishing death on everyone on screen. This honestly may be the worst film I’ve watched that was released in 2023. I’m actually sad this is getting a sequel because that means I’ll probably have to watch it for a review. And I thought Eeyore had a depressing life.
Directed By:Tyler MacIntyre
Starring:Jane Widdop, Joel McHale, Justin Long, Jess McLeod, Katharine Isabelle
Genre: Horror/Thriller/Comedy/Slasher
Running Time:87 Minutes
Score:2 Howls Outta 4 (5 out of 10)
PLOT:Winnie’s life is less than wonderful one year after saving her town from a psychotic killer on Christmas Eve. When she wishes she was never born, she finds herself magically transported to a nightmarish parallel universe. With the murderous maniac now back, she must team up with a misfit to identify the culprit and get back to her own reality.
REVIEW: A horror take on the 1946 Frank Capra holiday classic IT’S A WONDERFUL LIFE [with some elements of 1983’s A CHRISTMAS STORY implemented], I was expecting a scary version of a familiar story. Considering it was written by a co-writer of 2020’s FREAKY and riding the wave of time-traveling horror films like 2017’s HAPPY DEATH DAY and 2023’s TOTALLY KILLER, it should have been mostly a slam dunk. Unfortunately, IT’S A WONDERFUL KNIFE is just a mediocre slasher film that has a really cool concept but doesn’t bother to execute it to its fullest potential.
The first act is the best part of this film, as it gets into the plot right away and reveals things that will be important once the time changes for the rest of the film. And while seeing a different timeline is cool at times in IT’S A WONDERFUL KNIFE, not enough time is given to really flesh out the major changes that the Final Girl Winnie has to deal with in order to get her back to her original timeline. While relationships are different and the mystery of the killer gets a bit more complex, things just happen because they need to in order for the story to move forward towards its conclusion. There’s no real tension, suspense or drama that’s brought out from these changes, making one wonder why even bother using this concept to begin with. The final act also feels way too convenient and easy for the main characters to achieve that Hollywood ending, which is a shame.
While some shots are cool looking, mainly due to lighting and framing, Tyler MacIntyre and his team didn’t really wow me with their visual presentation. It does what it needs to do to get from Point A to Point B. The actors are probably the highlight here, especially Justin Long as this greedy narcissistic Mayor and Joel McHale playing a serious role that actually works for the most part. It’s also nice to see Katharine Isabelle doing her thing, while Jane Widdop does what she can with the material. I would like to see her in a better project.
I really wanted this to be an annual holiday tradition, but I honestly can’t see myself willingly watching this again unless it was to show friends or for a podcast for whatever reason. While it’s definitely better to just stick with IT’S A WONDERFUL LIFE, there’s nothing wrong with more holiday horror. So if you’re curious, check it out. I just hope you don’t wish that you were watching a better film like I did.
Directed By:Jenn Wexler
Starring:Georgia Acken, Mena Massoud, Olivia Scott Welch, Gus Kenworthy, Chloe Levine, Derek Johns, Laurent Pitre, Madison Baines
Genre: Horror/Thriller/Supernatural/Demons
Running Time: 99 Minutes
Score:3 Howls Outta 4 (7 out of 10)
PLOT:Christmas break, 1971. Samantha and Clara, two students who are staying behind for the holidays at their boarding school, must survive the night after the arrival of uninvited visitors.
REVIEW:
Did any of you watch this year’s THE HOLDOVERS and wish it had a more horror slant involving a group of serial killers murdering people in order to summon a demon during the holidays? Well if you did, THE SACRIFICE GAME is definitely your jam.
I didn’t know what to expect out of this, even though the trailer was intriguing. But a lot of this film worked for me, both visually and narratively. Jenn Wexler was smart in using a 70s vibe, a time where Satanic Panic was at its peak. It added an old school horror feel to THE SACRIFICE GAME that added a bit of atmosphere to film that mainly takes place indoors the entire time. I also thought the horror elements were used sparingly well, with the special effects looking very good. The final act isn’t shy about showing blood and gore, which was a nice change of pace from the more quiet and talky first two acts.
The story is also pretty simple, as a group of people are going from home to home killing people to collect blood in order to summon a demon that’s trapped inside of a boarding school. It plays straightforward for the first half of the film, until the twists begin that make the movie a lot of fun to watch. It’s tough to discuss the last half without spoiling stuff, but I like how misunderstandings and not doing enough research can get some really stupid and greedy people in trouble.
The acting is hit-and-miss, with some actors really hamming it up with some interesting line readings that amused me more than get me invested in their character arcs. Mena Massoud, the live-action star of 2019’s ALADDIN, really twirls that proverbial mustache as the film’s lead villain, chewing up scenery any chance he gets. It works in some instances and it’s really distracting during others. But at least Massoud is having fun. I thought the two younger actresses, Georgia Acken and Madison Baines, were very good - especially Acken since she’s given more to do. Gus Kenworthy doesn’t get a whole lot to do, but he’s a recognizable name that will interest some viewers.
While the holidays are over, I still recommend this one if you have Shudder. I think it has enough interesting twists and good enough acting to earn a recommendation for anyone looking for a recent Christmas horror flick.
Since I don’t have as much time to write longer reviews than I used to, I figured I would just post shorter reviews for horror/cult films that I feel deserve your attention.
Directed By:Robert A. Endelson
Starring:Robert Judd, Catherine Peppers, Lela Small, Yvonne Ross, Reggie Rock Bythewood, Ramon Saunders, William Sanderson, Daniel Faraldo, Peter Yoshida
Genre:Drama/Thriller/Crime
Running Time:82 Minutes
Score - 3 Howls Outta 4 (7 out of 10)
Plot: A minister dispenses justice on three convicts who take his family hostage.
Review:
A blaxploitation version of Wes Craven’s 1972 cult classic THE LAST HOUSE ON THE LEFT, 1977’s FIGHT FOR YOUR LIFE is best known as a Section 1 Video Nasty due to its violence and especially due to the offensive language recited by several characters to each other. Never having seen this film before, you have no idea the anger that was brewing inside of me throughout my watch. There were points where I wanted to turn off the movie because some of the things certain characters were saying made me feel like I needed a shower due to how disgusting it was to hear it. Considering our current social climate though, the behavior of the villains is probably more realistic than I want to believe. For that, the film works better than it should.
Besides the racial slurs throughout, FIGHT FOR YOUR LIFE plays out like your typical home invasion exploitation movie. Criminals forcibly enter a home, take the residents hostage, and torture and humiliate them until the victims stand up for themselves and get some sort of revenge. The police are also around, looking pretty dumb until the last few minutes of the film where they actually realize that justice has to be served in maybe a not-so-legal sense. Straw Weisman’s screenplay does what it needs to do, meaning making us want to see the antagonists get it in the worst way.
I also appreciated the subtlety of director Robert A. Endelson’s direction. He could have gotten carried away with certain scenes, like a LAST HOUSE ON THE LEFT or a I SPIT ON YOUR GRAVE. But besides a young boy getting bashed in the head by a rock and a toddler getting a gun pointed at him or her, the rest of the film shows a bit of restraint. There’s a rape scene but it’s more implied than shown. The more offensive scenes involve the antagonists [a white man, a Latino man and an Asian man] degrading the African-American protagonists by forcing them to dance, sing, or speak as if they’re living in the Jim Crow south. A young boy even gets food thrown at him and spit on at certain points in the film. The bits of style [the boy being bludgeoned and a character getting slapped in the face by a Bible multiple times] create a level of surrealism during a realistic looking film that builds tension while also making you feel angry over how these characters are being treated.
The cast mostly do a good job. In particular - Robert Judd is good as the preacher head of the household who does whatever the villains want to maintain peace and keep his family safe for as long as possible until certain events lead him to fight back. Lela Small as the grandmother has spunk and some good dialogue. Reggie Rock Bythewood is a good child actor who has moments to shine. And Newhart’s William Sanderson as the evil Jessie Lee is so despicable and cruel that you want nothing but bad things to happen to him. Sanderson is known for being a great supporting character actor over the decades. He’s lucky this movie was released 45 years ago because he would be canceled big time if a movie like this ever came out today.
1977’s FIGHT FOR YOUR LIFE is a film that definitely earned its Video Nasty branding and probably a film I would never watch again. Despite my feelings, I would still recommend it to anyone who wants to see all the Video Nasties and/or looking for a film similar to THE LAST HOUSE ON THE LEFT, I SPIT ON YOUR GRAVE, or DEATH WISH. It has solid performances. The direction is good, using the film’s low budget well. And while the colorful language in the screenplay will offend many viewers [the reason why it’s a Video Nasty to begin with], the home invasion story does what it needs to do despite a conclusion that probably should have been stronger than it actually is. The villains [especially William Sanderson’s character of the racist Jessie Lee] deserved more than what they got, if I can be honest with you. And there are definitely scenes that will upset you for various reasons. I know I was triggered during my watch. This is a film that’s not for everyone, nor could ever be made again.
Directed By: Jason Eisener
Starring: Jonathan Torrens, Sarah Dunsworth, Maris Morgan, Jayden Taylor, Mike Cleven
Genre: Horror/Comedy
Running Time:16 Minutes
Score - 3 Howls Outta 4 (8 out of 10)
Plot: Treevenge details the experiences and horrifying reality of the lives of Christmas trees. Clearly, for trees, Christmas isn’t the exciting “peace on earth” that is experienced by most. After being hacked down, and shipped away from their homes, they quickly become strung up, screwed into an upright position for all to see, exposed in a humiliation of garish decorations. But this Christmas will be different, this Christmas the trees have had enough, this Christmas the trees will fight back. Treevenge could be a short film about the end of days for Christmas trees, or perhaps, the end of humanity?
Review:
Have you ever thought about the plight of Christmas trees during the holiday season after they’ve been forcefully uprooted and decorated against their will to make your homes look festive?
Of course not because you’re too busy about receiving gifts you’ll return within 48 hours!
But writer-director Jason Eisener, who would later direct 2009’s cult hit HOBO WITH A SHOTGUN, did. If TREEVENGE doesn’t make you second guess the angry thoughts those fir trees may have against you that could eventually ruin your holiday, then you deserve a lump of coal in your stocking!
Seriously though, this 16-minute Christmas horror short film is bonkers and surprisingly a fun time throughout. You won’t get character development or much of a story besides the actual plot idea itself. But TREEVENGE goes all out in making this movie one you’ll never forget anytime soon. It has over-the-top hammy acting. It has subtitles that let us in on what the trees are saying and thinking throughout their struggles. Eisener provides visual energy that just grows towards the insane ending of the movie. And some of the kills are just hilariously wicked. There’s one in particular involving a baby’s head, the bottom of a Christmas tree, and… yikes!
TREEVENGE will be an annual holiday horror watch from now on, as it’s the first Christmas film this year that actually got me into the spirit of the holiday.
SAVE THE TREES!
Directed By: Joe Begos
Starring: Riley Dandy, Sam Delich, Jonah Ray, Dora Madison, Jeff Daniel Phillips, Abraham Benrubi, Jeremy Gardner
Genre: Horror/Slasher
Running Time:87 Minutes
Score: 2.5 Howls Outta 4 (6 out of 10)
Plot: It’s Christmas Eve and Tori just wants to get drunk and party, but when a robotic Santa Clause at a nearby toy store goes haywire and begins a rampant killing spree through her small town, she’s forced into a battle for survival.
Review:
If you combine the 1984 films THE TERMINATOR and SILENT NIGHT, DEADLY NIGHT, you get 2022’s CHRISTMAS BLOODY CHRISTMAS - a slasher film that takes the killer Santa concept and infuses it with 21st century technology.
Director Joe Begos’ best moments are when the killer Santa robot [a former military weapon that’s being recalled from stores due to some dangerous malfunctioning] decides to activate and murder anyone it sees. The violence and gore is the film’s true selling point, as CHRISTMAS BLOODY CHRISTMAS does not hold back on the various ways the victims die. Head stomps, different axe attacks, shotguns making heads explode, human bodies being split open easily - fans of gore will appreciate the awesome practical effects put in by the effects team, which are shot very well by Begos.
Begos also infuses the film with a great Christmas aesthetic. The locale looks cold and wintry, with snow falling and on the ground while holiday decorations light up many of the film’s scenes. Begos loves his neon colors, especially the color red, which gives the movie a foreign feel that I appreciated. And I’m not sure if the film was shot with 16mm film, but it looks great to have that grain on a slasher movie like this.
The synthwave score and the metal songs that play throughout the film also rock.
The movie’s downfall is unfortunately it’s screenplay, which probably houses the most times the word “fuck” has been said in the span of 90 minutes onscreen. Surprised that Rob Zombie didn’t write the script, the use of the word was cute for a few minutes until it just annoyed me. In fact, a lot of the dialogue was pretty bad, as all the characters sounded the same to me - loudmouth, angry and horny characters with no real development or depth to make us know who they were besides their obvious archetypes. The only time I really enjoyed the dialogue was when the two main characters were having pop culture debates and conversations because that’s what I do with my friends. Although anyone who thinks FREDDY’S DEAD is the best NIGHTMARE ON ELM STREET movie probably deserves to be the target of a killer robot Santa Claus.
It’s a shame the script was terrible because I thought the cast had nice chemistry that could have been brought out more under better writers. In particular, Riley Dandy and Sam Delich were good as the two leads - especially Dandy who made for a tough, badass Final Girl during the film’s tense and action-filled second half. I thought character actor Abraham Benrubi did a great job as the film’s villainous Santa. Not sure if it was still him under the robotic effects near the end of the film, but he did nice work making the character seem threatening and unstoppable. And it’s always nice to see Jeff Daniel Phillips pop up, especially for a movie where he can say the word “fuck” multiple times. He’s had years of practice perfecting it.
Considering the hype, I was a bit let down by CHRISTMAS BLOODY CHRISTMAS. Lame script aside, I thought the rest of the ingredients were there to make this worth a watch for the holiday season. It has a killer Santa, awesome practical gore, good lead performances, a sweet score and metal music, and great visuals that capture the holiday in the film’s title. I don’t think it’s a movie I’ll watch every year, but it’s better than watching Hallmark. More blood and less attractive people romantically getting together over hot cocoa fills my holiday spirit every time.
Directed By: Steve Rudzinski
Starring: Steve Rudzinski, Aleen Isley, Marci Leigh, Autumn Ivy, Garrett Hunter, Scott Lewis, Bill Murphy
Genre: Horror/Comedy/Romance
Running Time:50 Minutes
Score - 2.5 Howls Outta 4 (6 out of 10)
Plot: Wally has won a vacation to sunny Amityville! While there he has met a woman: a GHOST woman! Can the spirit of Christmas bring these two opposites together?
Review:
More of a cash-grab than an actual installment in the AMITYVILLE HORROR series, AMITYVILLE CHRISTMAS VACATION is less a horror movie and more of a romantic comedy involving a clueless and dim-witted police officer and a ghost who end up falling in love. There’s nothing remotely scary about this movie and the events don’t even take place inside the famous house, but next door. The make-up and CGI effects look super cheap and director-star Steve Rudzinski films the whole thing like a quick student film that will be uploaded on YouTube for free for his friends and family to see. Visually and story-wise, there’s nothing all that special and interesting about this film.
But the cheapness and the over-the-top acting makes AMITYVILLE CHRISTMAS VACATION oddly charming and amusing, especially when the couple falls in love and outside forces want to destroy the relationship before it blossoms even further via scheming landlords, ghost hunters and even a skeleton that’s meant to be the Ghost of Christmas Future. It’s goofy, dumb as rocks, yet way less boring than most of the AMITYVILLE films I’ve seen. Plus, the film is only 50 minutes - how can anyone hate that?
While I don’t think AMITYVILLE CHRISTMAS VACATION is a must-see or anything, I would recommend it if you want something short and silly to watch for the holidays that you can shut off your brain to. This is a quick watch for you and your boo to support the fact that even evil spirits need love during the Christmas season.
Directed By:Philippe Gagnon
Starring:Robyn Alomar, Mary Walsh, Nadine Bhabha, Matias Garrido, Corteon Moore, Emma Elle Paterson, Tori Barban, Dakota Jamal Wellman, Tim Rozon
Genre: Horror/Thriller/Slasher
Running Time:90 Minutes
Score: 2 Howls Outta 4 (5 out of 10)
Plot: Alana and a group of college seniors board a party train for a Halloween-themed bash, but their fun spirals into fear when a mysterious assailant begins killing the passengers one-by-one.
Review:
Back in October, I was surprised to see that Tubi had produced a remake of the 1980 cult slasher TERROR TRAIN. The original 1980 slasher isn’t a top level slasher, but it has memorable moments and a great Jamie Lee Curtis performance. Plus, it had a killer who would disguise himself in unique costumes, as well as a reveal that I didn’t see coming even though it’s in front of you the entire time. And even though I appreciate Tubi, I honestly wasn’t expecting a lot from this TERROR TRAIN remake. But color me surprised - it’s not half bad, even though it’s nothing special either.
Since I had watched the original a couple days before, the new TERROR TRAIN felt like deja vu for the most part. We have the same characters and relationships. We have the same inciting incident, the same beats in how the story plays out, and even the same ways the murders happen in the exact same order. Even a lot of the staging is the same. The only differences are that characters have been racebended, gender bended, a short commentary on a woke society, it takes place on Halloween instead of New Year’s Eve, the visuals look cheaper and the killer costumes aren’t as unique [prefer Groucho Marx over a clown any day]. But the film is still fairly watchable.
What really sets this new TERROR TRAIN apart is the changed final act, that retains a lot of what happened previously but does it with a nice twist that actually works in the film’s favor. The original ending wouldn’t fly in a 2022 society, considering its characterization of a mentally ill character. The new ending adds a new element to the original’s, playing homage to a more famous slasher film of the 1980s. It brings a less problematic conclusion to the remake while also keeping things a bit more open-ended, which gives the film a reason to exist.
And while the direction and screenplay is fine but nothing spectacular, the acting helps elevate things a bit. In particular, I enjoyed Robyn Alomar as Alana, Matias Garrido as Doc and Schitt’s Creek’s Tim Rozon as the Magician. While David Copperfield was more creepy in the original, Rozon is a way better actor and gives the Magician some depth that wasn’t in the original film.
I still prefer the original TERROR TRAIN due to its atmosphere and stronger performances. But the remake is worth watching if you’ve never bothered with the original, or if you’re just curious about this update.
Now let’s see about the sequel to this remake…
Directed By: Philippe Gagnon
Starring:Robyn Alomar, Nia Roam, Romy Weltman, Tim Rozon, Lisa Truong, Emma Elle Paterson, Dakota Jamal Wellman
Genre:Horror/Thriller/Slasher
Running Time:88 Minutes
Score: 1.5 Howls Outta 4 (4 out of 10)
Plot: A year has passed since a series of gruesome murders took the lives of multiple college seniors aboard the now infamous Terror Train. The survivors are coerced to go on a New Year’s Eve redemption ride aboard the very same train, where a new kind of evil awaits and the terrified passengers must once again fight to survive the ride.
Review:
So I guess these new TERROR TRAIN films were filmed back-to-back considering how close both films were released from each other. TERROR TRAIN is a decent remake for what it is, made for modern audiences who may not have seen the original cult clasher. While the ending was a bit open-ended, it wasn’t like audiences were clamoring for a sequel. And from watching TERROR TRAIN 2, the film proves that some stories should be left alone.
TERROR TRAIN 2 takes place a year after the events of the first film, this time taking place during the original’s setting - New Year’s Eve on a train. The survivors from the last film have returned, it seems many beats from both versions of TERROR TRAIN are repeated here, along with the same killer costumes and a simple knife for a weapon. Despite a never ending commentary on grief and trauma, an emphasis on social media and live streaming, and an ending that pays homage to a more recent slasher sequel [although nowhere as effective], TERROR TRAIN 2 is pretty much the same movie as the first one. It’s only less interesting or exciting, with more annoying characters and weird performances that seem to distract from the story rather than enhance it.
The real issue is the film’s story, which makes all the characters look dumb. I can understand getting back on a Terror Train to get over the trauma of what happened there previously. But characters are cosplaying as the killer to scare the survivors, or gaslighting them for having panic attacks when weird stuff goes down. Murders are happening and people think it’s a prank or something, with no common sense that what happened before is probably happening again. So strange and annoying, to the point where I didn’t care who survived this ride.
The direction by Philippe Gagnon is the same as the first, but with less tension and suspense. The kills are ordinary, with stabbings and ax attacks being the focus. There aren’t enough of them though, although there is a lot of CGI blood.. And the film feels a bit rushed, as the final act wraps up fairly quickly and easily without enough time to simmer in it.
The actors are fine, with the highlights of the last film [Robyn Alomar and Tim Rozon] being the best. Romy Weltman seems to be having a blast playing mean girl influencer Pet, also returning from the first film. Her character is really grating but Weltman does a good job with the role.
I just felt like TERROR TRAIN 2 was a film that was spinning its wheels to continue a story that really didn’t need it. While it’s nice to see what happened to the survivors of the first film, the movie doesn’t do a whole lot to make us care. But at least it wasn’t the worst horror film I watched in 2022, so the film has that going for it. I’m hoping this is the last trip on the TERROR TRAIN for a while.
