Showing posts with label guillermo del toro. Show all posts
Showing posts with label guillermo del toro. Show all posts

8.10.2019

Scary Stories to Tell In the Dark (2019)


DIRECTED BY
Andre Øvredal

STARRING
Zoe Margaret Colletti - Stella Nicholls
Michael Garza - Ramon Morales
Gabriel Rush - Auggie Hilderbrandt
Austin Abrams - Tommy
Dean Norris - Roy Nicholls
Gil Bellows - Chef Turner
Lorraine Toussaint - Lou Lou
Austin Zajur - Chuck Steinberg
Natalie Ganzhorn - Ruth Steinberg

Genre - Horror/Fantasy

Running Time - 111 Minutes


PLOT (from IMDB)
The shadow of the Bellows family has loomed large in the small town of Mill Valley for generations. It’s in a mansion that young Sarah Bellows turns her tortured life and horrible secrets into a series of scary stories. These terrifying tales soon have a way of becoming all too real for a group of unsuspecting teens who stumble upon Sarah’s spooky home.

REVIEW
SCARY STORIES TO TELL IN THE DARK is based on a series of books that I was a huge fan of when I was younger. Each book had many different stories and urban legends play out in anthology form, told as almost campfire tales to creep one out. With the success of GOOSEBUMPS having been adapted to the big screen to critical and commercial acclaim, it was a no brainer that SCARY STORIES would get the film treatment. Produced by Guillermo del Toro and directed by Andre Øvredal [of TROLL HUNTER and THE AUTOPSY OF JANE DOE acclaim], the film had a lot of buzz going into its theatrical release. To be honest with you, I wasn’t all that impressed by the trailers for the film. Yet, I was still curious and knew I’d be supporting the project opening weekend. I’m glad I did because I really liked SCARY STORIES TO TELL IN THE DARK, even though I had issues with how the story was presented at times. 

Let’s get the positive things out of the way first. I think what I enjoyed most about SCARY STORIES TO TELL IN THE DARK is the film’s atmosphere. The film takes place in 1968 and it never forgets to remind you of that, which I appreciated. We get some great 60s music and pop culture elements of the time, like NIGHT OF THE LIVING DEAD at a drive-in and classic Universal Monsters being talked about and appreciated. There are also many news reels and discussions amongst characters about the 1968 Presidential Election, which Richard Nixon won despite a lot of these characters not liking the guy. This is obviously an allusion to our current political and social climate, with both Øvredal and del Toro pretty much saying that history has repeated itself - especially if you see how the one Latino character is treated by a police officer and certain members of the community is any example. The best thing is the film never hammers it to a point where its distracting like some other films would in this day and age, so that was much appreciated. And considering the film occurs on Halloween and a few days after, SCARY STORIES captures the Halloween and fall vibe really well. I also liked the haunted house elements added as well, capturing a level of innocence and naivety that probably doesn’t exist in a modern and cynical world. It was really well done.

I also thought the actors were very good, as well as the characters written for them. The highlights were Zoe Coletti as main character Stella, Michael Garza as new guy Ramon and both Gabriel Rush and Austin Zajur as comic reliefs Auggie and Chuck respectively. The young actors had great rapport with each other and I bought them as genuine friends who would natural come together to solve this mystery and save themselves. Could their characters have had more development? Sure. But the actors stood out and made the cliched characters their own for the most part.

And while the CGI effects weren’t the most realistic, I thought the monster designs were pretty spot on to their book counterparts. It was cool seeing some of the monsters in live-action, even though I wish there was more of them [I’ll get to that in a bit]. But when they do appear, the tension definitely spikes and some of the jump scares provided even works. I hadn’t read any of the books in a long time, but I definitely remembered whenever a creature would terrorize someone. I’m not sure if it will affect younger audiences the same way it did me, but nostalgia hit hard with this one.

And while the film is well made and well structured, I just feel like the whole “group of pop culture savvy kids solving mysteries together” trope is getting way played out at this point. And that’s where SCARY STORIES TO TELL IN THE DARK failed for me. It’s generic and predictable, with nothing new added that I haven’t seen in films like THE GOONIES, THE MONSTER SQUAD, both versions of IT and even Stranger Things on Netflix. Yes, this type of storytelling works immensely and provides a lot of fun for audiences to watch these characters grow into themselves and as a group of heroes saving the day from supernatural danger. But I felt the film focused too much on this aspect, only using the tales from the book as a plot device whenever a character needed to disappear for a while. The monsters and the stories themselves honestly should have been the main attraction here, possibly done in an anthology type flick that would have used these popular tales to their fullest potential. Hell, there’s so many of them that you could easily create a franchise. But instead, we get the monsters in the background to the human drama that isn’t all that interesting because it’s been done to death. I’m not saying that the screenplay is terribly written, because it’s far from that. In fact, I liked the whole FINAL DESTINATION element of the stories being used to target a certain character and use their fear against them. But the film is called SCARY STORIES TO TELL IN THE DARK and it doesn’t really live up to its title other than the antagonists being used. I enjoyed myself watching it all play out and never felt insulted by anything on screen. But I think it was a missed opportunity to really go all out with the use of its source material. I felt that the film played it a bit too safe.

THE FINAL HOWL
SCARY STORIES TO TELL IN THE DARK is a film that will definitely appeal to children and adolescents who are starting to build their horror film watch history without frightening them too much or turning them off in any way. For diehard horror fans who grew up on the books and may be expecting a close enough adaptation might come away from it feeling something was lacking. It’s a fun movie, without a doubt, as it breezes by with a great Halloween and Autumn atmosphere, solid young actors who are very likable, and a very good live-action CGI showcase of some of the book’s supernatural characters. However, the human story was a bit generic, cliche and safe, while the source material was a bit underutilized. I felt there were a lot of missed opportunities in this film and I was expecting a bit more out of it. Still, SCARY STORIES is definitely worth your time if you’re familiar with the books the film is based on, or if you just enjoy PG-13 horror that does more right than wrong. 


SCORE
3 Howls Outta 4



7.13.2013

Pacific Rim (2013)

DIRECTED BY
Guillermo Del Toro

STARRING
Charlie Hunnam - Raleigh Becket
Idris Elba - Stacker Pentecost
Rinko Kikuchi - Mako Mori
Charlie Day - Dr. Newton Geizler
Burn Gorman - Dr. Hermann Gottlieb
Ron Perlman - Hannibal Chau
Robert Kazinsky - Chuck Hansen
Max Martini - Herc Hansen


Genre - Action/Science Fiction/Fantasy/Monsters/Robots

Running Time - 132 Minutes


PLOT
All over the world, Kaiju [or giant monsters] have been invading to destroy the planet. The government has created an initiative where military personnel train soldiers in handling Jaegers [or giant robots] in order to fight off these monsters using brain waves. Pan Pacific Defense Corps, run by Marshal Stacker Pentecost (Idris Elba), orders two of his best pilots/soldiers, Raliegh Becket (Charlie Hunnam) and his older brother Yancy (Diego Klattenhoff), to fight off a Kaiju attacking Alaska. During the battle, Yancy is murdered and Raliegh is stranded, traumatized by his brother's death - especially since he was mentally linked with him during the battle.

Five years after this battle, Raleigh has remained in Alaska working as a construction worker. Apparently there's a plan to build a huge barrier to prevent Kaiju from attacking the area. Pentecost eventually finds Raleigh, wanting him to rejoin the team after Government funding is being stopped due to the failure of the program. Only four Jaegers remain and the Kaiju have evolved into stronger creatures. Pentecost hopes that Raliegh is the key to defeat this menace once and for all.


REVIEW
I honestly had no interest in PACIFIC RIM, even though it had some huge marketing and buzz going for it. I love Guillermo Del Toro's works as both a director and a producer, but  this film was barely on my radar even though people around me wanted to really see it. It wasn't until this week that people praised the film to me, saying it's a true blockbuster that needs to be seen in theaters. Even though I wasn't overly excited about PACIFIC RIM, I still decided to check it and see if it was worth the buzz it was getting.

To my surprise, PACIFIC RIM definitely deserves the praise and buzz it's receiving.

THE AVENGERS last year made me feel like a kid again. This year, that right goes to PACIFIC RIM. The film is just a visual spectacle that's food for the eyes. It brought me back to my youth, bringing about memories of watching GODZILLA, Voltron, and even a bit of Mighty Morphin Power Rangers. Watching giant robots and giant alien monsters beat the crap out of each other for a majority of 132 minutes kept me glued to my seat and put a smile on my face. Sure, it's total CGI. But once you get into the action, that aspect doesn't even matter. In fact, it felt like I was watching a live-action anime movie, just with a majority of non-Asian actors.

The story is fairly conventional. The hero has a tragic past, which motivates him til the end. The love interest has an even more tragic past, which feeds her vengeance and connects her to the hero. The boss is your stereotypical hard ass until his vulnerability is revealed, making him realize what a fool he's been for so long. The hero has a rival who learns to respect him by the end. Plus, you get the comic relief in the form of two scientists who figure out what's really going on with the Kaiju. Yet, the screenwriting and the direction give this generic action stuff some charm and a bit of a soul and heart. Even though you only know just a bit about these characters, you sort of care about them and whether they'll succeed or not. I honestly was not expecting that, since most films like this [*ahem* TRANSFORMERS] make the human characters look like idiots to do immature screenwriting. Those films are just about the spectacle and effects. PACIFIC RIM is also about that, but it also takes the time out to give these characters deep enough arcs for us to relate to. We understand why they behave as they do, and completely understand how they grow and change by the end of the film. We also get concrete answers as to why the Kaiju are attacking Earth and why they've only started to do so, even though they had been around since the Prehistoric Age. The film isn't a deep one, but it gives us enough information to care about the human elements in between the more successful action sequences.

And I got to say, Guillermo Del Toro must have had a blast making PACIFIC RIM. The battles between the Kaiju and the Jaegers are pretty epic and are very frequent as well. This helps pace the film a lot better than I had been expecting, as it felt a whole lot shorter than it actually is. I was honestly surprised that the film had ended so quickly, even though I was sitting down for almost two-and-a-half hours. Like I said, the film is basically a CGI affair. But it has to be for the story to work and the CGI used looks pretty damn great. The battles are brutal as well, as the Jaegers get destroyed and the Kaiju get amputations and even murdered. This is no Power Rangers kiddie stuff here. This is some adult action that only makes you feel younger than you actually are. Even though I knew it was all fake and cartoonish, I still connected to it and enjoyed myself. That's the sign of a great film. It may not be Del Toro's best film, but it was definitely his most fun.

The acting is also a lot better than I was expecting. Charlie Hunnam of Sons of Anarchy plays a very good hero as Raleigh. He has that Jax swagger going for him here and handles the material well. Idris Elba is great as Marshal Pentecost. Elba had an extremely stereotypical boss character, but the man knows how to bring depth to even one-note characters. I thought he was a highlight. Rinko Kikuchi does well as Mako. Her character works mainly due to her nice chemistry with Hunnam. Charlie Day from one of my favorite shows, It's Always Sunny In Philadelphia, is a comedic highlight as Dr. Newton. His scenes with Ron Perlman are great. Speaking of Perlman, he's funny as Hannibal Chau. He's always a pleasure to watch on screen, and PACIFIC RIM is no exception.

THE FINAL HOWL
PACIFIC RIM may not be my favorite film of the summer, or even the year, but it's definitely the better ones I've seen. It's a B-movie with a huge budget, highlighted by a story that's actually smarter than one would expect. If you're looking for something deep and thought provoking, then the film is not for you. But if you want to see giant monsters and giant robots battle it out for supremacy, then PACIFIC RIM is the ticket to buy. I totally recommend any film that could make me feel like I'm 12 years old again. Definitely worth the price of admission.



SCORE
3.5 Howls Outta 4


1.19.2013

Video Review: Mama (2013)

DIRECTED BY
Andres Muschietti

STARRING
Jessica Chastain - Annabel
Nikolaj Coster-Waldau - Lucas/Jeffrey
Megan Charpentier - Victoria
Isabelle Nelisse - Lilly
Daniel Kash - Dr. Dreyfuss


Genre - Horror/Drama/Supernatural

Running Time - 103 Minutes


I babble about Guillermo Del Toro's latest production starring Jessica Chastain and a cartoonish looking CGI ghost. Not a perfect film, but a mostly positive experience.

 


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