STARRING Vin Diesel - Dominic Toretto
Paul Walker - Brian O'Conner
Dwayne "The Rock" Johnson - Luke Hobbs
Michelle Rodriguez - Letty Ortiz
Jordana Brewster - Mia Toretto
Tyrese Gibson - Roman Pearce
Chris "Ludacris" Bridges - Tej Parker
Sung Kang - Han Seoul-Oh
Luke Evans - Owen Shaw
Gina Carano - Riley
Gal Gadot - Gisele Yashar
Elsa Pataky - Elena Neves
Genre - Action/Crime
Running Time - 130 Minutes
PLOT After achieving their goal of stealing $100 million during a heist in Rio de Janeiro, wanted fugitives Dominic Toretto (Vin Diesel), former cop Brian O'Conner (Paul Walker), Dom's sister/Brian's girlfriend Mia (Jordana Brewster), and Dom's new girlfriend Elena (Elsa Pataky) are living in the Canary Islands in Spain to help raise Brian's and Mia's newborn son. Since they can't be arrested in the Canary Islands for their past crimes, the new family have nothing to really worry about.
However, things change when FBI agent Luke Hobbs (Dwayne Johnson) finds them. Not coming there to arrest anyone, Hobbs wants and needs Dom's and Brian's help in capturing some international criminal and a former Special Ops soldier named Owen Shaw (Luke Evans). Hobbs wants Dom and Brian to gather up their crew - including Han (Sung Kang), Roman (Tyrese Gibson), Tej (Chris "Ludacris" Bridges), and Gisele (Gal Gadot) - to use their car driving abilities to stop Shaw and his own crew from building a bomb worth billions. While Dom isn't interested, Hobbs reveals that Dom's former girlfriend, Letty (Michelle Rodriguez), is still alive and working for Shaw. Dom and Brian agree to help, as long as they receive pardons and able to go home as free people once the job is over.
REVIEW
HITS
- The best story in the franchise so far. I think after reviewing all these films within the past few weeks, I've clearly established that these films are normally more style than any sort of substance. The plots are usually thin, but it's compensated by the action and the fun factor that comes along with the action. It wasn't until FAST & FURIOUS when the stories started to gain a bit of depth, as the characters stopped trying to be cool and actually grew up - making them more sympathetic and giving them slight development within the race culture and action sequences that surrounded the plot. FAST FIVE advanced that as it attempted to tie in all the installments in the franchise into one film, adding a new character in Luke Hobbs that gave not only the characters, but the series a new dimension to feed off of and play with. The franchise wasn't just about racing cars for glory anymore to tell a weak story. The action become more elaborate. The characters started to flesh out a bit. And the screenplay gave audiences a reason as to why these films exist other than for money. The first three films were something of adolescence. The last three films allowed the franchise to grow up in a sense, while forming a clear identity and proving why THE FAST AND THE FURIOUS deserved its franchise to begin with.
FAST AND FURIOUS 6, believe it or not, has the best story and screenplay in the entire franchise. The fact that a fifth sequel and sixth installment in any franchise being the strongest is something that just doesn't happen in any film series. Usually, each installment gets weaker as they go. But THE FAST AND FURIOUS series has only gotten better as its gotten more confident with the stories they tell. There's a purpose to these films now for audiences, which is why the last three films [including this one] have been so damn successful. FURIOUS 6 may have the story with the most substance going for it. It brings the series full circle finally, and really shows us how far each of these characters have grown as people, rather than stereotypes like they were in the beginning. We care about Dom, Brian, Letty, Mia, and all the others now due to the storytelling and how each character is presented to us. It's really amazing to see how much this series has grown, and it puts a smile on my face because I really enjoy these movies on many levels.
The screenplay in FURIOUS 6 mainly focuses on the reappearance of Letty Ortiz, who was believed murdered in FAST & FURIOUS, but confirmed to be alive during the end credits of FAST FIVE. I was pretty worried about how this would play out since it was pretty established that Letty was killed. Was this the real Letty? Was this someone who looked liked her? But I liked the way the story played with her return. With Letty having amnesia, it didn't make her a villain - a person who betrayed Dom by going with the enemy. Her reasons for being with Shaw's crew are connected to events in FAST & FURIOUS, bringing back certain characters from that film to explain what was up. The film could have just ignored this, just going the easy route that Letty felt abandoned by her "family", deciding to join a new one. But they make Letty somewhat sympathetic, especially when she learns that she was once part of Dom's crew and starts sensing that she belongs with Dom rather than Shaw. In fact, Letty seems to be the only one in Shaw's crew that has a conscience, making it more obvious she's on the wrong side. Letty's interactions with Shaw, Dom, and even Brian [who blames himself for Letty's "death"] towards the end really flesh out her character more than THE FAST AND THE FURIOUS and FAST & FURIOUS did combined. In fact, Letty also fleshes out Dom and Brian in a lot of ways as well, as they both deal with her return a bit differently. It's nice to see an installment that has a reason for existing for something more than superficial. Letty's return creates a bit of drama, which I found quite welcoming.
I also liked that Owen Shaw, the film's villain, was actually written well. He's pretty much the opposite of Dom. While both are criminals and have their respective crews, they both see their "families" differently. Dom cares about the people he works with, seeing them as brothers and sisters rather than people who just work for him. Each character in Dom's crew is treated almost equally, and used accordingly to their skill set and their respective role within the team. Dom's crew are like a puzzle - they're parts required to come together to make something complete. Shaw's crew is different though. Shaw is obviously the leader and has the final say. He doesn't really care about what happens to his crew, as long as he gets what he wants. He finds emotions to be a weakness, which he uses against Dom towards the end. While Dom is warm, Shaw is cold and only cares about one person: himself. Shaw, in a lot of ways, is the best villain in the franchise so far. He's always two steps ahead of Dom and Hobbs due to the fact that he's focused on his goal and won't let anything or anyone distract him. There's a real sense of danger with this character that I never found with other antagonists in this franchise. This guy means business, but shows it in a real subtle, confident way. I liked the Shaw character and am excited as to what his fate will lead to in the seventh installment.
Other than that, I thought the characters were much better here. They all get their share of the spotlight, have great interaction and banter amongst themselves, and even make the Hobbs team up with Dom's crew feel logical and not forced. Is it a perfect screenplay? No. But it's come a long way since the first film. There's actual depth here and a sense of things coming together and going full circle. I was busy having too much fun trying to see the plot holes or moments that would be implausible in real life. That's the sign of a good action story that gives the audience everything they're looking for.
- The cast. Once again, the actors of FAST AND FURIOUS 6 show how far they've come in terms of becoming their characters, and understanding their roles and their motivations. Vin Diesel is pretty much Dominic Toretto at this point. He still has that presence and that charisma that allows him to have great chemistry with anyone he's on screen with. I liked the scenes he shares with Paul Walker, Michelle Rodriguez, and The Rock especially. Diesel has grown into the role and seems to "get it". He's having fun and we have fun watching him. Paul Walker is at his best here as Brian O'Conner. For once, I saw a guy who can somewhat act and be convincing in an action role. Maybe it's because he's older and stopped trying to be the pretty boy. But I've been liking Walker during the past few years in films. I think if there's anyone who's "Most Improved", it has to go to this guy. And Dwayne "The Rock" Johnson is a total bad ass as Luke Hobbs. He kicks ass, has presence and charisma, and even brings the funny when he's interacting with Ludacris [some of the best scenes in the film]. I think The Rock did a lot for this franchise. In a way, he made this series legit to a lot of eyes. I hear he's getting a possible spin off, which I would be in total support for. And I hope he does return for part 7 because I hate to see the franchise end without him being a part of that finale.
The rest of the cast is just as good. Luke Evans plays a great villain as Owen Shaw. He also has a lot of presence and seems to be having fun playing the bad guy. He took a one-note character and fleshed him out a bit - enough for him to feel like a true threat. Tyrese Gibson and Ludacris bring the funny. Sung Kang brings his dry humor as Han, also kicking ass and getting his ass kicked. Sad that we already know what happens to his character because I really like the dude. Gal Gadot has more to do as Gisele, and I liked her in this film. Jordana Brewster doesn't get to do much as Mia, but it's understandable due to her role in the film. But she's fine. Gina Carano is okay as Hobb's sidekick. She's kind of stiff until she performs the action sequences. Her fights with Michelle Rodriguez are pretty bad ass, in my opinion. Speaking of Rodriguez, I really liked her here as Letty. She gave the character some depth and made her sympathetic. Plus, she's pretty bad ass too. I thought the cast was one of the film's highlights for sure.
- The pacing and direction. While I still felt FAST AND FURIOUS 6 was too long [it's the same length as FAST FIVE], I felt the flow and pacing was much improved in this installment. There's no real filler in this film, as things constantly move and happen, never making you feel bored. In fact, I kept getting more and more invested as the film went on. Things escalated from beginning to end, and for a two-hour-plus film, it felt much shorter. I think Justin Lin, who has been directing this series since TOKYO DRIFT and makes his final impression with FAST AND FURIOUS 6, has done a really commendable job turning this franchise around. It's still fluff - but not it's fluff we actually care about and look forward to seeing more of. Lin actually helped make the franchise BETTER, which is rare in itself.
As for Lin's direction of the action, it's on par with FAST FIVE. However, the sequences here are a lot more elaborate and almost borderline silly and impossible - but in a good way. The car chases are thrilling. I loved the new flip cars that Shaw's crew used. We get a cool explosion that was pretty tense. The tank scene, probably the best action scene in the film, was pretty wild. And the airplane final act, which I thought ran a bit too long, still impressed by how grand a scale it was to pull this off. I also thought the hand-to-hand combat stuff and gunplay were great as well. FAST AND FURIOUS 6 was the most exciting installment. I also thought the cinematography was great and the use of location was well done. It's sad Lin is leaving the franchise [due to Universal wanting to film the next sequel within a year's span, now with SAW director James Wan], but I admire and respect his ambition. He gets my complete respect for taking this franchise to new heights. He went out with a bang and he should be proud of himself.
- The after credits scene. I won't spoil it if you haven't seen it. But let's just say that it finally ties in the tragic events of TOKYO DRIFT to the main franchise. We also get the villain for the next film, which has already been revealed prior to the film's release. And I am so excited for this actor to join the franchise. I think he's gonna be a great villain and really add something new. And it's great to finally have a FAST AND FURIOUS film that takes place after TOKYO DRIFT for a change now. I do think this next installment should be the last one, because I don't think there's much story left to tell. But if it is or isn't, I'll definitely be watching next year. The theater crowd went nuts for the reveal, myself included.
MISSES
- Some small things.FAST AND FURIOUS isn't a perfect film. Like I mentioned already, it's still a bit too long. But at least it's well paced enough where you don't really notice. However, there were plot points that I felt lacked within the screenplay.
One of these major issues involved Shaw's plan. Apparently he was trying to steal components to make some huge bomb to blow something up, or something. I wasn't really sure what Shaw was planning or where it was going. I forgot all about his plan until it was mentioned again at the end, which isn't a good thing. I think more focus could have gone to the villain's purpose in the sequel. I remember the bomb being brought up, and me going "Oh, that's what Shaw was doing?" It felt like an afterthough for much of the film, which is unfortunate.
I also didn't like how the whole Letty-Dominic-Elena love triangle was resolved. It was way too easy and there was no drama at all. You clearly have a soap opera here to play with, yet it's pretty much brushed off until it's needed to make itself known again. Elena played a pretty important role in FAST FIVE, yet she's barely a presence here. It's obvious that Dom loves Letty more than he would Elena, but the resolution could have been stronger. Instead, it felt pointless.
THE FINAL HOWL I really enjoyed the hell out of FAST AND FURIOUS 6. It has everything you want in an action film - a great cast, a story that has some depth, awesome action sequences, and a cool lead in towards its next sequel. It does have some issues in terms of certain subplots, but overall it's an entertaining and fun film that breezes right by and makes you want to see more. A definite summer movie blockbuster that deserves all the money its gets at the box office. Probably my favorite film of the summer so far and definitely my favorite FAST AND FURIOUS film.
STARRING Vin Diesel - Dominic Toretto
Paul Walker - Brian O'Conner
Jordana Brewster - Mia Toretto
Dwayne "The Rock" Johnson - Luke Hobbs
Tyrese Gibson - Roman Pearce
Chris "Ludacris" Bridges - Tej Parker
Matt Schulze - Vince
Sung Kang - Han Seoul-Oh
Gal Gadot - Gisele Yashar
Joaquim de Almeida - Hernan Reyes
Elsa Pataky - Elena Neves
Tego Calderon - Leo Tego
Don Omar - Omar Santos
Michael Irby - Zizi
Genre - Action/Crime
Running Time - 132 Minutes
PLOT The film picks up during the final moments of 2009's FAST & FURIOUS. Dominic Toretto (Vin Diesel) is on a prison bus, as he's been sentenced to serve 20 years in prison for his crimes. However, former FBI agent Brian O'Conner (Paul Walker) and Dom's sister [and Brian's girlfriend] Mia (Jordana Brewster) manage to stop the bus and make it crash. All the criminals in the bus are accounted for, except for Dom. This makes Dom, Brian, and Mia wanted fugitives.
The trio decide to hide out in Rio de Janeiro, Brazil, looking for ways to make money to buy their freedom. Reuniting with Vince (Matt Schulze from THE FAST AND THE FURIOUS), the trio decide to help Vince and some local criminals steal three very valuable cars from a moving train, which also seems to be carrying DEA agents as passengers. When Dom realizes that the local criminals seem to be using his crew and that things aren't on the up and up, he tells his gang to steal the most valuable car - leading to violent conflict between the gang and the local criminal world.
Once they're in the clear, they take the car apart - finding a memory chip that has important information on a local business named Hernan Reyes (Joaquim de Almeida). The information includes all the cash Reyes has saved up [about $100 million] and where the money is located. Wanting this money, Dom and Brian gather up their respective buddies from previous installments to create a super group of criminals ready to perform a huge heist. What they don't realize is that a DSS agent named Luke Hobbs (Dwayne "The Rock" Johnson) is also hunting them down, wanting all of them to pay for their crimes.
REVIEW
HITS
-A much more mature cast.FAST FIVE is considered the best film in THE FAST AND THE FURIOUS franchise, and I definitely agree. While the scenerios are still preposterous and unrealistic, at least this sequel executes them in a way that you can suspend your disbelief and just enjoy the ride without a care. This is helped by a game cast who has matured quite a deal since the previous installments.
Vin Diesel is still great as Dom. He shows more emotion than he did in the previous film, and gets to do cool stunts with Paul Walker and Dwayne Johnson. In fact, Dom's fight with Johnson is one of the film's highlights. Diesel carries a presence that makes him stand out amongst a huge cast, letting his charisma shine through easily. Paul Walker is much improved here as Brian O'Conner. He has chemistry with everyone around him, and seems more capable in carrying scenes on his own. He also handles the hand-to-hand combat scenes pretty well, making FAST FIVE his best film in the franchise. Jordana Brewster is very good as Mia, and gets to do more here than she has done in the other films. She's the eyes of the operation, making her more than just the sister and girlfriend stereotype.
Returning to the franchise are Tyrese Gibson, Chris "Ludacris" Bridges, Sung Kang, Gal Gadot, Matt Schultz, Tego Calderon, and Don Omar - bringing every installment of THE FAST AND THE FURIOUS into one giant action movie. They all play their roles well, but there are some standouts. It's great to see Schultz again, as I liked him a lot in the first film. His story comes full circle here, and Schultz does a good job replaying his angst against Brian over "taking his spot" in more ways than one. Gibson and Ludacris are the comic relief of the crew. Gibson, while still a bit over-the-top, is more subtle than he was in 2 FAST 2 FURIOUS. And Ludacris is more quiet in his humor, making the two balance each other quite well with the comedy. Kang and Gadot have cute chemistry as Han and Gisele. And Calderon and Omar bring some hijinks in their roles.
Joaquim de Almeida and Michael Irby are pretty decent as the villains. They're probably the most fleshed out villains in the franchise so far, next to Takashi from TOKYO DRIFT. We also get a cool cameo from Eva Mendes, which helps lead the film into FAST AND FURIOUS 6.
But the highlight has to go to Dwayne "The Rock" Johnson as Luke Hobbs. Just a total bad ass and ass kicker from beginning to end. Not only does he bring the funny, but he's extremely charismatic and a huge presence. His scenes with Diesel are great and it makes you want to see more interaction between the two. Johnson's addition added something really great to the franchise. Honestly, he should be a distraction amongst a large group of actors. But he makes the franchise feel new again with his role, and gives the other actors a new vigor as Johnson is someone great to play off.
I really enjoy this cast and I'm glad most have returned for FAST AND FURIOUS 6. You can tell they really enjoy doing these films together, which makes it fun for us to watch. They're all in on the joke, yet take the material seriously. You gotta respect actors who are proud to be starring in action fluff.
- A more adult, and tighter, screenplay. Normally in fifth installments, the story goes to crap. The fifth film in a series usually plays out as a shadow of everything that had come before it, making us wish they would put the franchise out of its misery. But surprisingly, FAST FIVE actually gives the franchise a new life and a fresher perspective than ever thought possible. Who would have thought that this franchise would actually IMPROVE as it continued?
FAST FIVE is a heist film, so it's OCEAN'S ELEVEN with cars. But it works more than it should, as it gives the film a focus that it never really had before. The film isn't deep, but it doesn't need to be. There's so much going on in terms of the characters interacting with each other, that you're never bored. You understand their motivations for doing this and root them on as they plan out their strategy and their escape once they complete their goal. In fact, I think FAST FIVE has the best characterization out of all the films. You never question why these people have collected themselves into performing this heist. Sure, they'll share $100 million if they achieve their goal. But it's because they genuinely enjoy each other's company, feeling like a family for once. I felt this aspect of the story in the previous films felt kind of forced or coincidental. But it truly feels natural here, and it puts a smile on your face as they banter and do really cool things together for a common goal. Each person gets the spotlight within the story, proving their place on the team. They agree. They argue. They share laughs. They share teams. And none of it feels like a plot device. Maybe we needed cheesy films before this one to get to this point in the franchise. I'm just glad these characters are presented as normal people rather than wannabes trying to be cool.
And for once in the franchise, I actually felt that these main characters were fugitives from the law. With the addition of Luke Hobbs and more elaborate action sequences set up in the script, FAST FIVE feels like a chase movie [something I think the other films tried to accomplished, but never took the time to focus on]. No one's lying to each other. No one's trying to be someone they're not. Everything that happens in this film is very crystal clear. The local bad guys want to kill Dom and his gang. Luke Hobbs and his crew want to capture Dom and his gang. And Dom and his gang know this and still plan out their mission. And the way the heist is added into the chase aspect of the film is pretty nicely done as well, as both themes get enough time to resonate to the audience.
It's amazing that I can actually compliment the storytelling in a FAST AND FURIOUS film. But FAST FIVE deserves it, as things always happen and each act never feels dull or out of place. I liked the dialogue. I liked how the characters behaved and spoke with different voices that made each one stand out from the other. And I liked that the chase theme and the heist theme were pretty evenly given focus, merging together to create quite an enjoyable film to watch. Sure things were pretty implausible and there were mega plot holes for sure. And it's a film that still doesn't focus on too much substance. But FAST FIVE doesn't need to be because those things would only clutter up the enjoyment and fun factor of this awesome sequel.
- The epic action and direction. Justin Lin does an amazing job visualizing this film. The cinematography is just beautiful, as the film was shot in multiple locations [mainly Puerto Rico]. The editing was great. The use of style with slow motion, close ups, framing, and composition were very good and very inspired. You can tell this is a big budget film and looks like they spent every cent on the right things.
And then there is the action. Holy crap. The action here is unbelievable, in more ways than one. Never in a FAST AND FURIOUS film has the action reached an epic scale until this installment. Watching a prison bus get turned over by fast cars and roll down a dusty road is pretty laughable, but cool to look at. The scene with the car steal from a moving train is just incredible. I was thrilled, on the edge of my seat, and just loving how well choreographed the entire sequence was. The best action moment has to be Dom and Brian dragging this huge vault through the streets of Rio [really Puerto Rico] during the film's final act. The property damage alone would make the Power Rangers' home of Angel Grove feel bad enough to give money to help out. Just an amazing sequence that's just truly exciting to watch. Add in a cool Vin Diesel vs. The Rock fist fight, Paul Walker kicking some ass with his own fists and guns, as well as thrilling character moments as each member of the crew helps complete the plan, and you got yourself a great action movie. FAST FIVE is truly the first film in the franchise that deserves its "action movie" status BIG TIME. Over-the-top, yet glorious to watch. It may not have been FAST, but the film definitely proves that it's still pretty FURIOUS.
- A non-focus on car racing.THE FAST AND THE FURIOUS was based on this idea of the characters racing fast cars to move the story along. But FAST FIVE barely has any racing scenes, instead focusing on chase scenes. And I'm glad about this fact. I think by this point, the race scenes were getting a bit old and tired. I'm not saying the franchise is done with this aspect. In fact, we get one race scene with Diesel, Walker, Gibson, and Kang that actually leads to something and happens to be fun to watch. We also get a race that's built up pretty well, but we never see it, instead seeing its aftermath. And I'm more than fine with that. I do think there should be a race or two in each installment, as long as it's not the focus anymore. It doesn't need to be, as the characters and the stories are more adult and deeper than that now. So I'm glad we barely got any race scenes. Watching the actors get chased in cars is more than enough.
MISSES
- It's a tad too long for its own good. The runtime is really the only issue I have with the film. I think action films shouldn't be longer than two hours. And some of the action scenes could have been cut shorter and still had the same effect. The final action scene, in particular, could have been shorter to watch, although I did enjoy it quite immensely. It's not a terrible flaw, but I feel a shorter runtime would have made the film much better as a viewing experience.
THE FINAL HOWL FAST FIVE is the best FAST AND FURIOUS film to date. It has incredible action sequences. The cast is solid and more mature. The story actually kicks ass. There's just a nice focus in this installment that the other films didn't have for whatever reason. FAST FIVE is not only a great sequel, but it's also a great action film that sets it apart from anything else in the franchise. A fifth installment in a franchise should not be this good, or better than the films that led up to it. But FAST FIVE is one of the few exceptions, as it's fun, fun, fun. Now I'm really excited for FAST AND FURIOUS 6.
STARRING Vin Diesel - Dominic Toretto
Paul Walker - Brian O'Conner
Jordana Brewster - Mia Toretto
Michelle Rodriguez - Leticia "Letty" Ortiz
John Ortiz - Arturo Braga
Laz Alonso - Fenix Calderon
Gal Gadot - Gisele Yashar
Sung Kang - Han Seoul-Oh
Don Omar - Omar Santos
Tego Calderon - Leo Tego
Genre - Action/Crime
Running Time - 107 Minutes
PLOT Taking place between 2 FAST 2 FURIOUS and THE FAST AND THE FURIOUS: TOKYO DRIFT, FAST & FURIOUS brings back the original cast members of THE FAST AND THE FURIOUS, bringing them together 5 years [story time] after the events of the first film. Dominic Toretto (Vin Diesel) and his girlfriend Letty (Michelle Rodriguez) are hiding in the Dominican Republic along with two new crew members, Omar Santos (Don Omar) and Leo Tego (Tego Calderon). As the citizens in D.R. are suffering due to rising oil prices, Dom and his crew decide to stop and steal a gas truck. While it's rough, they complete the mission. However, Dom realizes that the feds are on to him and that his time is running out. Even though Letty wants to help him, Dom leaves her while she's sleeping to protect her.
Meanwhile, Brian O'Connor (Paul Walker) has now become an FBI agent. His target? Some drug trafficker named Arturo Braga (John Ortiz). As he attempts to find clues that could lead him to Braga, Dom learns through his sister Mia (Jordana Brewster) that Letty was murdered by Braga and his number one guy, Fenix Calderon (Laz Alonso). Because of this, Dom and Brian end up reuniting by accident - both trying to infiltrate Braga's crew as drug runners in order to achieve their respective goals. Can the two put the past behind them and work together? And if they do, who will manage to achieve their goal?
REVIEW
HITS - Reuniting the original cast from THE FAST AND THE FURIOUS. It's pretty obvious that FAST & FURIOUS probably would have never happened if TOKYO DRIFT didn't disappoint Universal Studios at the box office. Executives realized that the first film had the best box office receipts and critical reception. And hoping that lightning would strike twice, Universal offered Vin Diesel, Paul Walker, Michelle Rodriguez, and Jordana Brewster a ton of cash to return to the roles that made them superstars to begin with [along with giving Diesel executive producer credit as well]. Honestly, this reunion is the best thing to happen to this film and to this franchise, as it's gotten better and been more financially beneficial to the studio since this sequel.
Even after eight years since THE FAST AND THE FURIOUS, the cast still maintain that wonderful chemistry that made the first film so popular. The acting may not have improved all that much, but then again, this franchise has never been about the quality of the actors. But it's great to see Diesel and Walker banter and displaying that fun, respectful chemistry we saw back in 2001. The best scenes involving Walker actually happen when he's onscreen with Diesel, as Diesel seems to bring out Walker's personality. I will say that Walker is slightly improved as an actor in this film, but he's best when he's with Diesel.
As for Diesel, he's good in the role. But there's something off with his performance in terms of the material he needs to work with. At points, it feels like he's holding back, not really giving the role the emotional turmoil it needs. I guess Diesel felt that Dom would act more subtle than one would expect in this kind of situation, but I wish he would emote more and really show how much Letty's death means to him. There are a few moments where Diesel shows his vulnerability, but it's not really enough. Still, Diesel has charisma and presence in spades, making his performance not a total failure.
In fact, Diesel seems to have great chemistry with all of his co-stars, including Rodriguez, who make the affection they have for each other mean something through their body language and line delivery. It's sad Rodriguez is not in the film more than she is, since she's actually quite good here, but it works for the story the film needs to tell. And Jordana Brewster doesn't get much to do, but she's always nice to look at. Plus, it wouldn't be a reunion without her.
The newer cast fill their roles as much as needed. Reggaeton artists Tego Calderon and Don Omar are fine as Leo and Santos. They get to do more in the short film, LOS BANDOLEROS [the short film that precedes FAST & FURIOUS], but they're okay. Gal Gadot is a pretty face as Gisele. Sang Kung is great again as Han, adding humor. And the villains, John Ortiz and Laz Alonso, are stereotypical. But at least they're kind of fun to watch, especially Alonso. Not a bad cast, but the original players are the reason to watch.
- A story with more substance going for it. While these FAST AND FURIOUS films don't have the deepest stories or the best written screenplays, at least FAST & FURIOUS attempts at adding meat to the franchise's canon. I think the best thing the screenplay does is focus more on Dom rather than Brian this time around. Like I said in my THE FAST AND THE FURIOUS review, Dom was the more interesting character of the two. While Brian's story had to be told in order for the first film to work, especially since it pretty much ripped off POINT BREAK, Dom was the one with the real story to follow. And FAST & FURIOUS lets Dom be the focus of the film, with Brian being more of a supporting player that elevates Dom's story somewhat.
FAST & FURIOUS mainly focuses on a theme of revenge. Dom leaves Letty on her own, thinking it would be the best thing for her to be away from him since he's a wanted man. Instead, Letty ends up getting killed and Dom feels guilty about it. Through his knowledge of cars and tires, Dom figures out who's behind it, and tries to be part of his crew in order to kill him. However, Brian's return makes Dom question his motives, especially when Brian reveals information about Letty's last days that make him think differently about the situation.
Revenge is a very simple and classic theme that's easy to relate to and understand. We feel sympathy for Dom and want him to get this bad guy. And while coincidental and convienient, at least it allows Dom and Brian to reunite in a "natural" way and rebuild their friendship for a common goal - since Brian wants revenge as well since he also cared about Letty. And while it doesn't go as far as it could have, or is executed in a more plausible way, at least the story doesn't feel as shallow as the previous films felt. Sure, there's eye candy, and cool races and car chases here. But there's also a human element that was missing in the previous films that adds a lot to the viewing experience.
I also think it helps that the story is fairly basic as well, not wanting to complicate the film more than it needs to. The last two films had too much going on, which didn't allow any of the newer characters to resonate all that much once the film was over. In FAST & FURIOUS, we're allowed to watch Dom, Brian, and Mia deal with Letty's death, their forced reunion after years, and the aftermath of Dom's and Brian's plans for Arturo. I think of the four films up to this point in the franchise, FAST & FURIOUS seems like the most quiet and more mature. THE FAST AND THE FURIOUS was a teenager in terms of films. This sequel reaches adulthood, while keeping the characters we've already come to know fairly consistent. It's not a great script or anything, but for this franchise, it's a vast improvement and feels like a new beginning of sorts.
- Justin Lin. In my review for TOKYO DRIFT, I credited Justin Lin for keeping the franchise relevant through his camera work and direction. Lin is a fairly straightforward director, not having to use jump cuts, bad CGI, or flashy colors to make the visuals pop. He lets the drama unfold without many distractions, while making sure the action is decent enough to keep audiences visually stimulated.
While in TOKYO DRIFT, I did think the action wasn't all that exciting. The way these scenes were shot were okay, but not as thrilling as in the first two films. However, Lin must have studied up on creating better action sequences, since his direction with action is much better here. In particular, the opening sequences with Dom's crew versus the gas truck. The hijacking scene is pretty damn awesome, as it's almost a nod to a similar scene in the original THE FAST AND THE FURIOUS. What I liked most about it is that it doesn't use shaky cam or quick edits to make the scene exciting. He just shoots it pretty honestly, allowing the audience to witness the action as it would unfold, letting it stimulate and sink in. Sure, there's CGI in the scene towards the end, but it's not terrible. In fact, you can tell FAST & FURIOUS has a much bigger budget compared to the other films. I also thought the car chases [with the GPS stuff] were pretty cool too, especially the scenes involving the underground tunnel. I do think Lin's action direction improves with FAST FIVE, as the sequences are more elaborate. But you can tell Lin is improving as he goes, as the film is more thrilling than TOKYO DRIFT.
I also want to make mention to the cinematography. FAST & FURIOUS is a beautiful looking film from beginning to end. It's a much darker film compared to the others, which works with the film's tone. While there are colorful moments here and there, I liked the darker moments more. Like I said, it's a more mature film than the rest - and the visual presentation represents that pretty well.
- LOS BANDOLEROS. This 20-minute short film isn't part of the actual film, so to speak. But it is a prelude to the film that introduces the newer characters and gives us reason as to why Dom and Letty were in the Dominican Republic to begin with. Written and directed by Vin Diesel, I really enjoyed this short as it focuses on the newer characters, Leo and Santos. The actual film itself gives the two the short straw, making us wonder how they hooked up with Dom, Letty, and Han to begin with. But this prologue gives us some insight as to who these two are and why they're willing to contribute to Dom's cause. The short also introduces Han to the main franchise [this takes place before TOKYO DRIFT obviously], as well as shows us what Dom has been up to since Brian let him escape at the end of the first film. I kind of wish this short had been included with the actual film, as it really explains the opening sequence and gives more of an effect to Dom's and Letty's relationship - which in turn would strengthen the revenge angle. But if you're a fan, definitely check out this short. It's pretty damn good.
MISSES - Good story, but poor execution. Just like all the previous installments, the execution with the story is heavily flawed. I think what bugs me the most is how the "revenge" plot is carried out. For me, not enough is done with this aspect of the film. Without LOS BANDOLEROS being placed before the film, the Dom and Letty relationship is pretty one-note. Diesel and Rodriguez have a ton of chemistry with each other, so more scenes with them would have been nice. That way when Letty is killed, we would feel more for Dom, and be gung ho about his vengeance. I do feel the way Dom goes about it is pretty silly. I loved it when Dom threatened people about who killed Letty by trying to crush their heads or throwing them out of windows. But once he wanted to race to infiltrate the villain's crew to kill him, it just feels a bit too much. I get that you have to have fast cars in this franchise, but it just felt too easy and too convienient. Also, I felt Vin Diesel didn't really emote enough during these scenes, although I'm sure that was intentional on his part. Brooding can work, but you'd think he'd be more upset and angry when the love of his life is violently taken away from him. But he wouldn't be a bad ass if he did that, would he?
I also felt the reunion between Dom and Brian could have been stronger as well. It was almost as if Dom wasn't too upset about Brian lying to him about being a cop all those years ago, bantering with him like old times. There should have been more conflict and more mistrust between the two men. I get the two characters respect each other a great deal for different reasons. But there should have been more to it than just Dom and Brian joking on each other and then easily becoming buds again. I honestly felt more conflict between Brian and Mia, although there should have been more there as well. I think more drama was needed here. I wasn't really convinced by it.
There are also a lot of plot holes that really stretch out that suspension of disbelief. The biggest one is how in the hell did Brian become an FBI agent after all the crap he pulled in the earlier films? He was a wanted man, drag racing and helping wanted criminals while banging their sisters. In five years, he's already FBI? And you're actually letting him go undercover to street race with criminals - the thing that got Brian in trouble in the first place? Really?? Not buying it and just seemed forced. Also, is Mia a nurse or something? She sure seemed to know how to heal people and perform surgery. But that wasn't explained either. Gisele joining Dom's crew seemed to easy as well, as if they needed to replace Letty with another female who had feelings for Dom. But hey, she's hot to look at so I can't complain too much.
And then, there are the villains. So stereotypical. So one-note. So predictable. Supposedly, there's a mystery as to who Arturo Braga is. But once you see the actor's portrayal prior to the reveal, it's easy to guess who it is. And he's not much of a threat anyway, so he comes across as pretty weak. His henchman, Fenix, is more intimidating and is actually a fun character to watch. Too bad he wasn't the lead villain, although the stuff between him and Dom in the final act are pretty good. But yeah, not the tightest script. Still better than 2 FAST 2 FURIOUS and TOKYO DRIFT though.
THE FINAL HOWL If you're a fan of THE FAST AND THE FURIOUS series, or you've seen any of the films, you know exactly what you're getting with FAST & FURIOUS. This isn't a movie trying to win Academy Awards or please critics. It's a total popcorn film with enough visual stimulation to make the 107 minutes go pretty quickly. While not as good as THE FAST AND THE FURIOUS, surprisingly FAST & FURIOUS is a step up from the two sequels before it. I think it's mainly due to a more human story that's helped by the return of characters we've cared about since the first film. So while it's not the best FAST film out there [I'll get to that one in the next review], it's a decent start to what would become the peak of the franchise. Who knew that these films would get BETTER as more and more sequels rolled out? Definitely not me. I guess, like people, this franchise is a late bloomer.
STARRING Lucas Black - Sean Boswell
Bow Wow - Twinkie
Nathalie Kelley - Neela
Brian Tee - Takashi [DK]
Sung Kang - Han Seoul-Oh
Brian Goodman - Lieutenant Boswell
Genre - Action/Crime
Running Time - 104 Minutes
PLOT When he's arrested for vandalizing property during a street race with a rival (Zachery Ty Bryan), Sean Boswell (Lucas Black) is sent to Japan to live with his father (Brian Goodman). The culture shock and living with his estranged dad take a toll on Sean. However, he meets an American army brat named Twinkie (Bow Wow) at school, who sells things for income and has a love for cars. This love for cars helps the two connect as friends, as Twinkie introduces Sean to an underground world of street racing. In particular, Japan focuses on a special type of driving known as drifting.
As Sean adjusts to this new way of living, he meets an Australian army brat named Neela (Nathalie Kelley). The two begin to flirt, but Neela is the girlfriend of Takashi (Brian Tee) - known as DK, or "Drift King" - who may have ties to the Yakuza. Sean and Takashi race each other in order to impress Neela, but Takashi smokes Sean when it comes to drifting. Even though he's lost, he impresses Takashi's business partner, Han (Sung Kang). Han sees something in Sean and wants to teach him how to drift.
Sean and Han's relationship puts a strain between Han and Takashi. Also, Neela has been developing strong feelings for Sean, which makes Sean a bigger target for Takashi and his gang. When things get really personal, Sean challenges Takashi to one more race. The stipulation: the loser must leave Tokyo for good.
REVIEW
HITS
- It feels fresh. While THE FAST AND THE FURIOUS: TOKYO DRIFT isn't a great movie, at least it attempts to differentiate itself from the two films that came before it. While the first THE FAST AND THE FURIOUS took its story from POINT BREAK, TOKYO DRIFT decides that THE KARATE KID is the way to go. You know how the story goes: Teenager moves to a new place, has trouble fitting in, falls in love with a girl, has issues with the girl's (ex)boyfriend, gets trained by someone more wise to defend himself against the girl's (ex)boyfriend, and gets the girl and the respect he wanted at the end. Sean is Daniel. Han is Mr. Miyagi. Ali is Neela. Johnny is Takashi. And instead of martial arts, it's cars. And while I could criticize this sequel for taking a well-known template and using it as its own, at least it allows the franchise to feel somewhat new and different.
TOKYO DRIFT is really the teenage version of THE FAST AND THE FURIOUS. Instead of dealing with cops and crime lords, it's more focused on teenage rebellion and finding oneself in order to feel accepted within a new world. While the first two films lacked any sort of substantial plot lines that could grab an audience, this installment actually does. I'm not saying they're executed well [which I'll get into later], but at least there's an attempt to make us care for the characters and the situations they're in. The main character, Sean, has the most development in the film - even if it could be deeper than what's presented. Sean is a troubled teen, but has a good heart and is loyal to people who return the same. It's obvious that his troubles stem from a broken home. His father is stationed in Japan [he's a Naval officer] and his mother [from what I can tell] would rather be a woman than raise a kid on her own. Because of the lack of parenting his life, Sean constantly had to move until he officially is forced to live with his father, who was never really there for him either. He's treated like an outcast at school for being a gaijin [outsider]. His love for racing with cars gets him into a ton of trouble with his father and with Takashi, whose girlfriend has a thing for Sean. And when his mentor, Han, gets into really serious trouble, Sean defends his honor and walks away accepted and a hero. In a strange way, TOKYO DRIFT is a coming-of-age story. Yes, it was done better in THE KARATE KID and in countless other films. But at least it makes this installment stand out for more than just not having most of the original cast involved.
I also like that the film focuses on the art of "drifting". I'm sure the game got inspired by a lot of racing video games at the time, in particular the Burnout series which made drifting mandatory to complete races and other challenges. It gives the film a "reason" to exist, in my opinion. The main chunk of the story is Han teaching Sean how to drift in order to contend with Takashi and change the status quo. We get a bunch of scenes in the middle act in which Sean gets better and better as he practices, feeling more at home with Han and their friends than with his own father, who doesn't really try to understand and bond with his son. In the other films, the characters already know how to use the NOS and street race. Here, the main character is starting from scratch. And strange enough, learning how to drift is sort of a metaphor of a boy finally becoming the man he's meant to be. While it's not the best execution in the world, at least it tries to get the audience invested. And because of that, I can respect the existence for TOKYO DRIFT. It doesn't feel like a standard sequel. It feels new, even if audiences didn't want it at the time.
- The cast. Like every other THE FAST AND THE FURIOUS film, the acting is never the highlight of the film - at least intentionally. But I do like the cast here for the most part. And honestly, the acting here isn't all that terrible. Is it inspiring? Not even close. But given what the script allows the actors to do, the actors do fine in their respective roles.
Lucas Black, best known for the films SLING BLADE and FRIDAY NIGHT LIGHTS, isn't the most charismatic actor as Sean. He's not the right guy to carry a film like this. But his Southern accent and the way he carries himself makes him somewhat interesting. Bow Wow isn't all that annoying here as one would expect. He doesn't really do a whole lot but be the token black guy. But unlike Tyrese in 2 FAST 2 FURIOUS, Bow Wow isn't overdoing trying to be cool. So it's an improvement. Nathalie Kelley is cute and pretty good as Neela. Her and Black don't really have that much chemistry really, but she's one of the better actors here. Brian Tee is quite good as Takashi. He's very charismatic and has a bad boy quality that comes across as authentic. Compared to the more bland Black, Tee is a highlight as the film's main antagonist. And Sung Kang is very good as Han. There's a mystery and an edge about him that makes the role work, extending somewhat to Black whenever the two share the same scene. It's not surprising that Han would come back to the original franchise with the original cast. He's a welcome addition to the series. And of course, we get a short cameo at the end from Vin Diesel. It doesn't do a whole much for the film besides connect it to the rest of the franchise. But it's nice to see Diesel regardless. Not a bad cast.
- Justin Lin. The producers hired Justin Lin after seeing his film, BETTER LUCK TOMORROW, thinking Lin would be able to freshen up the franchise a bit. Lin is definitely a more grounded, straightforward director than Rob Cohen and John Singleton. Rather than relying on cool colors, ridiculous CGI effects, and MTV style editing, Lin directs the film with confidence and with more realism [well as realistic as possible]. Lin does inject style in the form of montages, slow motion, and even fast motion. And some scenes feel like a music video at times, which is fine since these scenes have a soundtrack behind them. The cinematography is good. The editing is also pretty good as well. Some camera movements are quite cool at times. I just like the guy's style. It's not as flashy as previous directors, yet still feels like a FAST AND FURIOUS film. Lin would get better as he filmed more sequels, but it's a pretty good start.
MISSES - Not exciting enough. The downside to Justin Lin's direction is that the action scenes don't seem as good as in previous versions. Maybe it's because the way Lin shoots scenes in this film tend to be more subtle than Cohen or Singleton. But the race and chase scenes don't seem to amp you up as they would in previous versions. While the slower versions are directed pretty decently, the action sequences lack a certain something. I'm not sure if it's because of the editing, or the framing, or just the choreography of these sequences. But they just seem pedestrian. The last race, in particular, should feel thrilling and dramatic. Instead, you don't feel much for it at all. It's weird because the race actually has the best reason for even happening here than in the previous two, yet the buildup isn't enough to make the final sequences mean more than they should. Instead, it just feels like been there, done that.
- Underdeveloped plot lines and characters. Not a surprise by this point. It's something we should be used to when it comes to this franchise. However, it bugged me more here than it did in the others. Why? Because there was a real chance to make the subplots feel more meaningful than they actually are. Sean's struggle with his parents, especially his father, would have meant more if we actually knew more about their relationship and why it's strained to begin with. There was more of a story there than what was actually told.
The love triangle aspect also felt half-assed as well. For me, this hurt the film because this was the catalyst for the drama between Sean and Takashi - which led to everyone else getting involved. Sean and Neela barely share any scenes together, and when they do, it's pretty cliche. There was no sense of chemistry between the three characters, which made that love story fall flat.
As for the mafia stuff, it felt like a last minute addition to make Takashi more of a villain and a way for Sean to get revenge on him. I doubt any serious Yakuza [or whoever they were] leader would let some outsider demand a deal to get one of their own kicked out of the group over someone's death. It just seemed too easy and too convenient. And doing so through a race? It's hilarious. But maybe that's the point.
The characters all deserved more development than they actually receive. You know enough through their stereotypical personae, but this sequel seemed more focused on the teen drama rather than the action. In that case, the story and the characters should have had more substance to compensate for lack of eye candy and action with cars. The slower, quieter moments tended to drag a bit because you didn't really care about who you're watching. At least the other films distracted you with pretty things on screen. If the story is going to be as shallow as this one turned out to be, then TOKYO DRIFT should have had more action. The balance was pretty off here.
THE FINAL HOWL I used to really dislike this sequel back when I watched it in 2006. But after watching it again, I actually didn't mind it too much. TOKYO DRIFT is not a great film, but it's not a bad one either. It does have some things going for it, like a decent cast, a fresh director, and a newer feel from the first two films. But there isn't enough action to distract from a shallow screenplay. And what's even worse, the action isn't all that exciting or that fun to watch. Still, it's a decent flick and time waster. And since it supposedly takes place after the events of the current sequels, you don't really need to watch it to catch up with the current timeline. Still, TOKYO DRIFT is probably better than it has any right to be.
DIRECTED BY John Singleton STARRING Paul Walker – Brian O’Conner Tyrese Gibson – Roman Pearce Eva Mendes – Monica Fuentes Cole Hauser – Carter Verone Chris ‘Ludacris’ Bridges – Tej Parker Thom Barry – Bilkins James Remar – Markham Devon Aoki – Suki Genre – Action/Crime Running Time – 108 Minutes PLOT Brian O’Conner (Paul Walker), formerly of the LAPD, is now a fugitive after letting criminal Dominic Toretto (Vin Diesel) escape in THE FAST AND THE FURIOUS. Knowing the cops are after him for going against their plans, Brian travels from California to Miami, participating in underground street races to make income and survive under the radar. After a street race is infiltrated by Miami police, Brian is busted. While the cops want Brian to be punished for his crimes, they realize his expertise would be useful in locating and bringing in a local crime lord named Carter Verone (Cole Hauser). With the return of FBI Agent Bilkins (Thom Barry), Brian is offered a clean record if he helps the local law enforcement bring down Verone with the help of undercover agent, Monica Fuentes (Eva Mendes) – who is currently “acting” as the girlfriend of Verone. Realizing that cars would be involved, Brian requests the help of a childhood friend, Roman Pearce (Tyrese Gibson), wanting a clean slate for him as well if the mission goes down as planned. With both Brian and Roman on board with the investigation, the two estranged buddies will prove to everyone around them that they are 2 fast and 2 furious.
REVIEW
HITS - Most of the cast. Let’s just get one thing clear here – none of the acting here is at all exceptional or anything. The first film’s cast are better thespians than the ones here, especially with this sequel’s poor script. But I can’t help but be entertained by how poor the actors’ deliveries were, which made the film more watchable than it had any right to be. Save for one really, I didn’t mind the “acting” here too much. Tyrese Gibson, model-turned-singer-turned-actor, is irritating and annoying at times because he tries too much to be funny or to be heard. Maybe that’s due to the fact that he has to compensate for Paul Walker’s performance [who I will get to shortly], but Tyrese’s performance is a bit over-the-top. But at least he brings energy and some charm to the film, although he doesn’t replace the coolness or intensity of Vin Diesel in the same role. Eva Mendes is a good actress, and she tries her best here as Monica Fuentes. She doesn’t really get much to do but flirt with Walker, get slightly abused by Cole Hauser, and get insulted by Tyrese. But she looks great doing it, so there’s that! Hauser is laughable as the villain. He comes across as a shady salesman rather than some crime lord. He’s so unoriginal in the role, that it’s unintentionally laughable. So at least he entertained me somewhat. Thom Barry and James Remar do well in their smaller roles. Ludacris surprises as Tej. He’s not that bad here honestly and is quite charming and likeable. Nice to see that they kept him in the franchise because he’s one of the better actors here. And I don’t know what the purpose for Devon Aoki in this film was, but at least she’s cute and has some sass. Like I said, none of these actors were great, but at least they amused me for various reasons. - The action. While I do think the action in the first THE FAST AND THE FURIOUS film had more heart, soul, and tension than in this sequel, I did like the car chases and races in 2 FAST 2 FURIOUS. The cars look cool and how the races were set up and executed were visually pleasing. I thought the first street race was pretty cool. The chase for Carter’s package in his stolen corvette is actually pretty darn great, capturing some intensity and excitement. I really liked the final set piece with all the cop cars and all the cars coming out of the garage to intercept them away from Brian and Roman as they chased down Carter. I wish some of the moments were shot better [less close ups of eyes and meters would have been beneficial], but they were placed and paced within the film well. - The film looks nice. While the direction is generic and uninspired [surprising since it’s by John Singleton, who’s directed some great stuff like BOYZ IN THE HOOD], I think the cinematography is actually quite beautiful in 2 FAST 2 FURIOUS. Matthew F. Leonetti, who has done work on 1985’s COMMANDO and 1997’s MORTAL KOMBAT: ANNIHILATION, really makes the picture pop with vibrant colors and nice scenery shots that help make the Miami setting set this sequel apart from the grittiness of the California setting in THE FAST AND THE FURIOUS. With the film already embracing that it's eye candy and nothing of substance, the cinematography compliments that pretty perfectly. - Fast paced. For a 108 minute flick, 2 FAST 2 FURIOUS never wears out its welcome. It moves as fast as the cars in the film, going from scene to scene without much of a thought. In fact, the film feels shorter than its running time. So while there’s not much to this sequel, at least it doesn’t bore you and does what it needs to do without a second thought. MISSES - Paul Walker. I don’t hate Paul Walker. As a matter of fact, I think he is capable of being a decent actor given the right material. 2001’s JOYRIDE and 2006’s RUNNING SCARED prove that Walker can add to a film rather than take away from it. Plus, I’m sure those who see a film, just because he’s in it, want to look at his pretty boy appearance anyway. But man, Walker is freakin’ TERRIBLE in this film. And he’s the STAR! Walker makes Keanu Reeves look like Daniel Day-Lewis in the process. The guy is a black hole of charisma, sucking in everyone around him with his blandness and tired delivery. And when he attempts to be “cool” by saying “bro” every other line, Walker just embarrasses himself. There’s a reason why Vin Diesel was brought back to this franchise besides a sweet paycheck. The producers realized that Walker needed someone to balance his non-charisma. As much as Tyrese tries to compensate, it just brings out Walker’s dull performance more than it should have. It’s sad because I didn’t think Walker was all that terrible in the first film. But he’s just lame here and helps bring the sequel down. - No soul.THE FAST AND THE FURIOUS didn’t hide the fact that it’s a silly film that focuses more on the style than on the substance of its story. But the actors and the crew on the film really cared about the product and created a level of charm that makes THE FAST AND THE FURIOUS a modern guilty pleasure for action seekers. While the lack of plot was an issue, at least it followed POINT BREAK’s template [to a lesser extent] well enough for viewers to kind of care about what they were watching. The same can’t be said about 2 FAST 2 FURIOUS. While this sequel also focuses more on style than substance, at least the first film had a bit of depth to it when it came to the tension between Brian and Dom and Brian’s dilemma with his decision that sets forth this sequel. You don’t get any of that here. It tries to do similar stuff, like an attempt to focus on the rift between childhood best friends Brian and Roman – as well as make viewers believe that undercover agent, Monica Fuentes, may be working too undercover and forgetting her original mission by sleeping with the enemy. But these two things never go far enough and just end up being stereotypical plot points that don’t resolve themselves in a satisfying way. The Brian and Roman issue quickly becomes a non-issue in a couple of scenes after it’s introduced in the story, as if it never was there to begin with. And Monica seems torn with being a good undercover agent, sleeping with Carter, and flirting with Brian – yet none of it means much at the end, as it’s all forgotten and everything is back being hunky-dory. If you’re just gonna half-ass something, then why bother to begin with? Besides, fulfilling these two subplots in particular to their potential would have benefited the sequel in the long run. In fact, none of the characters here feel like real people. They’re all stereotypes. They’re all cartoons. They’re all generic roles that need to be filled in order for this “story” to play out the way it does. And while this franchise isn’t realistic at all really, at least the first film was kind of grounded. This sequel is just way too silly as we follow characters we could really care less about. Was I entertained? Sure, because it’s brainless and sometimes I don’t want to think about what I’m watching. And the dialogue, while really annoying, made me chuckle because I couldn’t believe grown ass men actually think it’s cool to say “bro” so many times, not realizing it lost its meaning by the fifth time it’s uttered [and this is within a two minutes of screen time!]. But there’s no real reason for this film to exist. Yes, THE FAST AND THE FURIOUS was created to focus on the Brian O’Connor character. But the first film established that Dominic Toretto was the character with the real story. And he’s the one we ought to be following, not bland Brian. While Vin Diesel couldn’t film the sequel due to filming 2004’s A MAN APART, I’m sure he read the script and realized that the money wasn’t worth it. Don’t blame him, since he probably wouldn’t have had anything interesting to do besides drive cars. And John Singleton obviously directed this film for a paycheck. The man can direct a great flick with substance, but none of that is found here. Still, I guess every director just wants to make a fun film every once in a while. I just wish it clicked better than it does. There’s nothing wrong with the direction really at all. The editing is fine. The use of CGI is okay [although having CGI cars is kind of silly, don’t you think?]. The pacing is great. It’s just generic storytelling though. There’s no heart. There’s no soul. 2 FAST 2 FURIOUS is a cash-in sequel. Nothing more. Nothing less. I can’t reward laziness. THE FINAL HOWL 2 FAST 2 FURIOUS is a mediocre sequel that ends up being pretty unmemorable by the end of it. Sure it breezes by. Sure the performances are so laughable, you’re entertained throughout. And the action is pretty good, which isn’t surprising. But there’s no substance here, and the film is dragged down by a lead actor who is too plain to be carrying any sort of action film. I’m not expecting anything thought provoking or deep. But at least have a plausible script that will grab me and make me feel something. Watching multiple car chases and races within two hours can only go so far until you’re wanting something else. It’s really too bad the screenplay wasn’t better, because this could have been a better “buddy cop” film than the final result. Not the worst film out there [or even the worst sequel], but a disappointment compared to the original.
I also liked that Owen Shaw, the film's villain, was actually written well. He's pretty much the opposite of Dom. While both are criminals and have their respective crews, they both see their "families" differently. Dom cares about the people he works with, seeing them as brothers and sisters rather than people who just work for him. Each character in Dom's crew is treated almost equally, and used accordingly to their skill set and their respective role within the team. Dom's crew are like a puzzle - they're parts required to come together to make something complete. Shaw's crew is different though. Shaw is obviously the leader and has the final say. He doesn't really care about what happens to his crew, as long as he gets what he wants. He finds emotions to be a weakness, which he uses against Dom towards the end. While Dom is warm, Shaw is cold and only cares about one person: himself. Shaw, in a lot of ways, is the best villain in the franchise so far. He's always two steps ahead of Dom and Hobbs due to the fact that he's focused on his goal and won't let anything or anyone distract him. There's a real sense of danger with this character that I never found with other antagonists in this franchise. This guy means business, but shows it in a real subtle, confident way. I liked the Shaw character and am excited as to what his fate will lead to in the seventh installment.
As for Lin's direction of the action, it's on par with FAST FIVE. However, the sequences here are a lot more elaborate and almost borderline silly and impossible - but in a good way. The car chases are thrilling. I loved the new flip cars that Shaw's crew used. We get a cool explosion that was pretty tense. The tank scene, probably the best action scene in the film, was pretty wild. And the airplane final act, which I thought ran a bit too long, still impressed by how grand a scale it was to pull this off. I also thought the hand-to-hand combat stuff and gunplay were great as well. FAST AND FURIOUS 6 was the most exciting installment. I also thought the cinematography was great and the use of location was well done. It's sad Lin is leaving the franchise [due to Universal wanting to film the next sequel within a year's span, now with SAW director James Wan], but I admire and respect his ambition. He gets my complete respect for taking this franchise to new heights. He went out with a bang and he should be proud of himself.
I really enjoyed the hell out of FAST AND FURIOUS 6. It has everything you want in an action film - a great cast, a story that has some depth, awesome action sequences, and a cool lead in towards its next sequel. It does have some issues in terms of certain subplots, but overall it's an entertaining and fun film that breezes right by and makes you want to see more. A definite summer movie blockbuster that deserves all the money its gets at the box office. Probably my favorite film of the summer so far and definitely my favorite FAST AND FURIOUS film.
